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Cesar's Bark Canoe

"This documentary depicts a canoe being built in the traditional manner. Cesar Newashish, a 67-year-old Attikamek of the Manawan Reserve North of Montréal, uses only birchbark, cedar splints, spruce roots, and gum. With a sure hand he works methodically to fashion a craft unsurpassed in function or beauty of design. Building a canoe solely from the materials that the forest provides may become a lost art, even among the Native Peoples whose traditional craft it is. The film is free of spoken commentary but text appears on the screen in Cree, French, and English." - Anthology Film Archives

Cesar's Bark Canoe

10.0 1971
25 Years

25 Years is an impressionistic survey of the years from the Queen's accession to the throne in 1952 through to her Silver Jubilee in 1977. Combining archive and contemporary footage - including that of the royal visit to Canada and the US in 1976, the bicentenary year of American independence - the film explores the monarchy through a quarter-century which saw the conquest of Everest, the development of television as a mass medium, the first supersonic flight and space exploration. Through good times and bad, and tumultuous changes for better or for worse, one factor remained constant: the monarchy, in the person of Queen Elizabeth II, provided a continuity and stability which this film celebrates in her Silver Jubilee year.

25 Years

NR 1977
What Am I Doing in the Middle of the Revolution?

In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz. But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out. Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.

What Am I Doing in the Middle of the Revolution?

5.5 1972