Why Backdrop Blur

Top Cast

  • Susanna Melandri

    Susanna Melandri

    Michèle

  • Rosemary Dexter

    Rosemary Dexter

    Mother of Michèle

  • Umberto Orsini

    Umberto Orsini

    Father of Michèle

  • Habib Namouchi

    Habib Namouchi

    Karim

  • Henda Bellgho

    Henda Bellgho

    Henda

  • Jeannie Berlin

    Jeannie Berlin

    The Junkie

Overview

Italian drama

Rating

10.0 / 10
1 Reviews
0 Popular

Recommendations

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"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

Loro 2

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Things Unspoken

Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.

Things Unspoken

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Bad Tales

In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.

Bad Tales

6.7 2020