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Dark at Noon

In this mystical comedy, Felicien has traveled to Portugal from France soon after the end of the First World War. It seems that his recently deceased father had invested a lot of money in a factory located in a remote village, and he has come to evaluate that investment. He gets some clues to the real situation in the town when the man driving his coach refuses to go any further and leaves him on a section of road which is practically paved with abandoned crutches. After a short trek, he meets up with the local dignitary who is to show him around, and he meets a priest and an artist. The priest gives a further clue to the events taking place in the village when he indicates that he's completely exasperated with the endless miracles that seem to be taking place. From that point onward, amazing coincidences, visions and miracles take place in great numbers.

Dark at Noon

6.8 1992
Voyage à Rome

Thierry 's marriage is on the rocks and his wife has filed for divorce ,but he is not prepared to accept it;he calls on his parents,to be confronted with the same situation: his mom and dad are odds with each other and she contemplates separation too...To take her/his mind off things,he takes her for drive :after a first stopover in the graveyard where granddaddy is interred , mom says to her son that her greatest wish is to see pope John -Paul.No sooner said than done. Mother and son head for Rome.

Voyage à Rome

6.3 1992
Mon amour

Three years after the wedding husband Richard starts to set up his wife, the teacher Marion, with his love and jealousy. He wants to have a baby too. Her best friend and the head of the school only see the nice husband. Antoine, the fiend's brother, is the only one believing her. Everyone else starts to believe that Marion is getting insane is about to become a mental case. Marion moves out, but it's not over. Richards terrorizes her and even starts to get violent. Her only solution is to move to Antoine but that doesn't make it only worse ...

Mon amour

4.8 1997
Rupture(s)

When a woman fed-up with life in general commits suicide, what's left ? In the same vein, a lover, a mother, a friend, a few buddies, all orphans, all well-to-do, but mainly lost at sea without a ship. The lover : Paul, a lone wolf who tries to escape from his memories through drink or by chasing women as though they were the cure to everything. The best friend : Lucie, coming and going, suitcase in hand , as though she were carrying a corpse or a time bomb, ready to flee at the drop of a hat with her suitcase of course. The mother : Marthe. Between shovel and incinerator, she counts her dead, cat and husband included. And then, there is Lucien, madly running after Lucie, screeching guitar in hand. And the others, always running.

Rupture(s)

7.0 1993
Ragazzi

In this very light romantic comedy, two young men who are in search of the hypothetical perfect woman believe they have found her at a wedding reception. There, they see Lisa. Alexandre is the shy one, but he is also the one with the greatest yen to meet such a woman. He and Romain track Lisa down the next day and, though she is already dating someone, when Romain approaches her, she agrees to meet the two of them at a restaurant. They are dismayed when the part-Italian girl brings her mother with her as a chaperone. Other difficulties arise as well, and they resolve that this quest is less important than their friendship. Besides, Alexandre has by now discovered the charms of Romain's younger sister.

Ragazzi

4.0 1991
Cour Interdite

Cour interdite is about drugs, naïve dreams, and the demise of values. A young Arab from the Paris suburbs, where poverty, unemployment and drugs are very much the reality, Djamel Ouahab saw many people around him dying, which led him to this project that took seven years to complete. The director plays a drug dealer who takes care of his family, protects his mother, and tries to shield his little brother from the drugs around him. He also has to help an addicted friend to quit his habit. Just when we think that he might be successful, reality hits him in the face. The message is that you can't escape drugs with drug money. Cour interdite chronicles the drug dealer's descent into hell. It is a realistic film with poetic dimensions. Ouahab tries to show the world of drug addicts but also the human side of the dealer.

Cour Interdite

9.0 1999
Inséparables

Twenty years ago, Robert left his home in the provincial northern town of Boulogne to make it as an actor. His career never amounted to much, as he managed only a couple of acting jobs on TV. Without warning, he returns to his hometown and drops in on his sister who is in the throes of a sordid affair with her married boss. Later, Robert drops in on his younger brother, who lives with his elderly mother. As the film progresses, it quietly, sensitively depicts Robert's disruption of the lives of the members of his family.

Inséparables

5.7 1999
On the Edge

A man. A woman. A single night in Paris. Such is the basic framework of this French romance that begins when middle-aged middle-class housewife Clara, happily drives to the airport to meet her husband who was supposed to come in on the evening flight and is devastated to learn that he has remained at his hotel and is having an affair. Clara sees a younger man eating a sandwich and asks him to have a drink. Later, she and he, an amiable baggage handler, spend the evening talking and exploring the nightlife on the outskirts of Paris. There they meet many people from other countries who come to Paris and work as laborers.

On the Edge

4.0 1995
Balle perdue

Antoine Rethel, a police inspector, meets a young woman to whom he has just prevented a traffic accident.To thank him, she invites him to drink at her house.She commits suicide a few moments later in the bathroom with her service weapon.Antoine swears to himself that he won't say a word about this dirty story and returns home. The next day, driven by curiosity, he decides to return to the scene of the tragedy...surprise, the corpse is no longer there...Antoine is not at the end of his troubles...the next day, he returns to the house and discovers another corpse in the bathtub...little by little, he sinks into a crazy story full of murders...He must hurry to elucidate the murders before it's too late.

Balle perdue

8.0 1994
La Pagaille

To a non-French speaker, the word La Pagaille looks charming, elegant, even tidy. However, it means "a mess," and a mess is just what the happily divorced Martin gets into when he and his ex-wife Brigitte, the mother of his children, rekindle their long-dormant relationship and announce that they intend to move back in together. Not only do the children find this whole thing confusing, but the husband's and the wife's lovers are equally befuddled. Add to that the need for Martin to meet Brigitte's lover and vice-versa, and you have the beginnings of a mess. When it begins to seem to Brigitte's former lover that he has offended the Muslims with a book he translated and he is slated for death, the whole thing grows yet more complicated. In this comedy, this list only scratches the surface of the messes these people must confront.

La Pagaille

10.0 1991
The Scorsese Machine

Amazing documentary shows rarely seen side of a master director. 1990 was a very good year for Martin Scorsese. After making a diverse group of films in the 80s, he reunited with Robert DeNiro for "Goodfellas" and later that year shot a segment for "New York Stories", an anthology film of three shorts by Scorsese, Woody Allen, and Francis Ford Coppola. During the editing, the French documentary series "Cinéma, de notre temps" filmed a documentary on the director, and it's a fascinating glimpse into his life, personality, and working habits as he edits his short with long-time collaborator Thelma Schoonmaker.

The Scorsese Machine

8.0 1990
Chekist

Srubov is a part of CHEKA, the secret police Lenin established after the Bolshevik Revolution. They arrest, interview for a minute, try in ten seconds, and execute intellectuals, aristocrats, Jews, clergy, and their families. In the building basement, five people at a time are shot as they stand naked facing wooden doors. No one to remember their last words; no martyrs, just anonymous bodies. Daily, the kangaroo court, the executions, the loading of bodies onto wagons. Srubov is cold, distant, sexually dysfunctional, and a deep thinker, hated by former friends and his family. As he tries to reason the nature of revolution and the purpose of CHEKA, he slowly goes mad.

Chekist

5.2 1992