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In the Making: An Australian-Taiwan Indigenous Art Exchange

"In the Making: An Australia–Taiwan Indigenous Art Exchange" is a 43-minute bilingual documentary co-produced by Australia and Taiwan. It explores a five-year exchange program between Indigenous artists from both regions. Filmed mainly in Taiwan in late 2024, the artists' first in-person meeting reveals the depth and transformative potential of cross-cultural collaboration through interviews, shared creative processes, and the creation of new collaborative artworks.

In the Making: An Australian-Taiwan Indigenous Art Exchange

NR 2026
Thought/Action

Initiated in 1996 and completed in 2026, this home-processed 16mm film was inspired by Marc Adrian’s Total (1968) and incorporates the voices of Moucle Blackout and László Dudás. Partially shot at Hearst’s San Simeon Castle, in Canada, and at the Royal Melbourne Show, the work explores the possibility of overcoming traumatic thought through material actions on the film surface. The temporal gap of its completion registers both the persistence of and resistance to traumatic experience.

Thought/Action

NR 2026
WHO DO YOU THINK YOU ARE?

In 1997, the feminist punk poet and experimental writer Kathy Acker interviewed the Spice Girls for the Guardian (not, as has passed into legend, US Vogue). The Spice Girls were at the height of their fame, flicking peace signs at us from every teenage girl’s bedroom wall on posters ripped from magazines. Acker on the other hand was an unapologetic weirdo in the same vein as William S Burroughs, writing books so filled with sex, incest and violence that West Germany banned Blood and Guts in High School for being too pornographic. SEE THIS NEVER SEEN BEFORE EVA BERRY EXCLUSIVE NOW! NOW! NOW!

WHO DO YOU THINK YOU ARE?

10.0 2026
Shelf Life

At Sturnley’s Supamart, a faded family grocery store, awkward checkout clerk Nora dreams of singing the store jingle. But when a customer mistakes small talk for life-changing wisdom, Nora is thrust into the spotlight as the store’s new mascot. Overnight, she is elevated from trainee to the face of the Sturnley empire, caught between her power-hungry father, her jealous brother, and the zealous locals. As Nora’s influence spirals into absurdity, she must decide whether to stick to the script or use her own voice.

Shelf Life

NR 2026
MARKS/MARKS

MARKS/MARKS examines the relationship between the mark making of optical lens technologies (writing with light) and the mark making of painting within the context of digital technology and mass data. The film maps the movement of painter Dr Harrison Waed See in the studio painting to generate the tempo and trigger audio and visual effects. Similarly digital image sonification and digital data sonifcation of still and moving images of Dr See were used to generate further noise and visual effects. Alongside this, the soundtrack also includes amplifcations of the sound of his movements and paint brush.

MARKS/MARKS

NR 2026