Two teenage boy accidentally shared their first intimate experience together in a summer afternoon.
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Two teenage boy accidentally shared their first intimate experience together in a summer afternoon.
A grandmother remembers her first childbirth, and a mother reveals her dreams. The stalactites are slowly taking shape, and an underground world emerges, an image of the time when becoming is assimilated from within.
This story is about a departure on holidays... that goes south! A family of two parents (Agnès and Yves), a teenager(Agathe), a kid (Hyppolite) and a dog (Ferdinand), is getting ready to go on holidays. In the car, any reason is good to critize each other. Every member of the family is on edge - Hyppolite cries so hard, he fills the car with water. The family almost drowns. Everyone forgets why they were angry and try to get out of this situation. In the middle of the water, Agathe manage to get to one of the doors of the vehicule. Her father and het mother come to help her and get everyone out. They find themselves drenched, with bag and luggage in shambles around them. In this moment out of time, everyone realizes what just happened - they start laughing. The pressure drops. The family reorganize quickly its departure. Everyone returns to the car - except for the dog, forgotten behind.
Deaf or hard of hearing, the young man captures the rhythms played on the hang by a young woman, but will the two hear each other?
A woman stuck in traffic gets in touch with nature thanks to a nearby tree. Animation set to a poem by Andrée Chedid.
In Great Britain, the untold story of the first all-woman peace occupation. The "Greenham Common" peace protest camp, created in 1981 in reaction to the announcement of the arrival of nuclear missiles on European soil, marks the beginnings of a worldwide eco-feminist movement.
"... Change is such a recurrent thing in my life" says Omar, so much that he had to learn to deal with it daily. We follow him in Paris, from where he tells us about Beirut, a city he had to leave to abruptly. He also tells us about Venus, a persona born from his personal experiences, through which he claims his queer identity and develops his artistic work. Surrounded by an ever changing city, Omar and Venus begin to rebuilt their, sometimes at the cost of a long and personal journey.
Lola Lokidor is an intergalactic adventurer who is afraid of nothing but clothes and too long periods in the galley. Without fuss, she goes on missions, dealing with everything coming from space distress. Her last job? Postman for the Glactic Confederation posts. Prepare for a hallucinated and frenzied journey to the rhythm of the psychedelic trance that we listen to in his spaceship, the Lost-Angeles.
On the border between France and Switzerland, framed by four mountain peaks towering to 4,000 metres, the Aosta Valley offers unspoilt natural landscapes and a rich Alpine heritage. A little corner of Italy whose delicious gastronomy reveals all the flavour of its cheese, delicatessen meats and wine.
This is a film about encounters / A film about details from these encounters / About those stories that are gone / Those stories that did not happen / This is a film about desire.
"Rome, 1er et 2 Novembre 1975" was initiated at the Villa Medici and looks back at the final days of the filmmaker and writer Pier Paolo Pasolini, from his last interview to his killing, including a dinner with Giuseppe Pelosi who later accused himself of the murder. The final moments of the film director's life are acted out by twenty-four men and women of different nationalities, all whom are close to the artist. In a shift of focus who embody him, the video also features biographical interviews with each participant. The question once asked to Pasolini about the social and political role of art is echoed in the stories of the actors, in their most prosaic aspects as in their most decisive questioning. By putting them together, the artist creates a mosaic portrait of a community and the daily struggle to overcome social conditioning.
Pascal had such a battered, so painful, so violent childhood that he would have every good reason to paint everything black. However, the painter from Gençay puts color everywhere, all the time, without respite, without rest. Compulsive and inexhaustible, his art brut is the tool of his resilience. Throughout the bond that is forged with the director, we follow him on the path to recognition.
A documentary film that tells the story of Samir's crossing of the Pyrenees on the mythical route of the GR10.
Through collages of everyday situations, poetic or burlesque moments, through a mixture of truth and falsehood, Rififi dans le drawer tells of a long active wait, resistance and a poignant encounter of a French couple trying to adopt a child.
They charge, bump, knock and collide ... they bear the scars of the match but they return to it.
March 8, 2018, International Women's Rights Day. Thousands of women and transgender people marched through the streets of São Paulo, outraged by the profusion of feminicides and the restrictions on the right to abortion in Brazil. March 14, Marielle Franco was shot dead in downtown Rio de Janeiro. She was the symbol of the success of a black woman, lesbian, daughter-mother of the favelas, who defended in particular the rights of peripheral populations and fought against violence against black youth. March 15, black activists gather at the World Social Forum of Resistances in Salvador de Bahia. This film is about them and their daily struggles.
Vanishing memories, with granulity assaults due to the successive transferts from medium to medium, from a travelling shot in 1993.
While waiting for Constance, his guest for the evening, whom he met through an online dating site, a man sits at his desk writing in his diary. He has nefarious plans for her and the evening promises to be one that will not be soon forgotten.
Olivier is 25 years old. Five ago years, he found out that he was HIV-positive. He shares his pains, his wounds, his way of seeing the disease, and his fight against stigmatization.
An experimental film about my family and the trauma of Spanish civil war and exile. — C.P.