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The House of Lost Women

Desdemona lives on an isolated island with her strange family: her father Mario, her stepmother Dulcinea and her mentally challenged sister Paulova. As the only inhabitants on the island loneliness and desolation engulf all members of her family. Desdemona tries to ward off her boredom by taking long walks along the beach or engaging in acts of self-gratification. She often tries to seduce her own father Mario to engage in acts of a sexual nature. Their daily routine is interrupted by the arrival (by boat) of a robust male stranger who brings friction into Desdemona's family.

The House of Lost Women

5.5 1983
Der richtige Mann

Karl Hirnschall is in his thirties and is a member of a Viennese avant-garde theatre group in the early seventies. When he is finally fed up with acting for low fees, he goes back to his former life. He becomes the "right man" for a grocery firm whose products he sells with great success. The neo-salesman manages to acquire a furnished appartment for himself and his young girlfriend, Traude. When his income does not keep pace with his expenditures, Karl resorts to shady business deals.

Der richtige Mann

9.0 1982
Memoirs of My Nervous Illness, Part 1

On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag. He was taken up in the mental clinic of the Leipzig University soon afterwards. To his rehabilition he wrote an extensive piece of work, "Denkwürdigkeiten eines Nervenkranken" (Memoirs of My Nervous Illness), which was published in 1903 and led to his temporary dismissal. Hereby Schreber became the most quoted psychiatric patient in scientific literature. This first part of the project, originally conceived as a long feature film, was finished while Ernst Schmidt Jr. was still alive.

Memoirs of My Nervous Illness, Part 1

NR 1987
The Boys in Blue

Sgt. Cannon (Tommy Cannon) and PC Ball (Bobby Ball) run the police station in the quiet town of Little Botham. When the station is threatened with closure due to a lack of crime, they decide to invent some crimes to justify their existence. When they try to steal a painting from a local rich businessman (Roy Kinnear), they accidently stumble across a gang of real art thieves who have just stolen £1 million worth of paintings. It is up to the two bungling cops to stop them escaping with their haul.

The Boys in Blue

5.5 1982
The Magic Screen

The time is the late 1920s, and Angelo and Tonino are two brothers traveling around the country in a rattle-trap truck, showing moving pictures to any group of people willing to pay. When they arrive in the region of Emilia-Romagna, Angelo strikes up a relationship with a wealthy marchesa connected to the fascist movement. Tonino, on the other hand, starts to follow the rebellious Giovanni, locked up for his anti-fascist stance, and the farmers who have joined in the anti-fascist forces. As the rebels are either murdered or put in prison, Tonino becomes more and more commited to their cause - especially after Giovanni is killed. When a silent movie on the condemned and dying Christ is shown on the brothers' screen, Tonino stops the action to project some slides he has taken that show who murdered Giovanni - in an action that calls for his brother and the rest of the bystanders to finally make a decision on where to place their loyalties.

The Magic Screen

4.4 1982
Three Men and a Cradle

Three young men - Jacques, Pierre, and Michel - share an apartment in Paris, and have many girlfriends and parties. Once, during a party, a friend of Jacques' tells him he has a quite compromising package to deliver, and asks him if he can leave it discreetly at their place. Jacques agrees and, as he works as a steward, flies away for a one-month trip in Japan, telling Pierre and Michel about the package. Then, one of Jacques' former girlfriends drops a baby before their door, making Pierre and Michel believing it is the package they are waiting for. Their lives are then completely changed.

Three Men and a Cradle

6.4 1985