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Il peggio di noi

At the end of his latest film, Palabras, Corso Salani indicts against his own crew. A long monologue goes on, while the images of the casting, of the rehearsals, of the set, flow. Lead actress Paloma Calle and the whole crew are accused of destroying the deep artistic and personal bind between Salani and his actress. In doing so, they helped in making the two drift apart. The film is now over, but emotions and feelings felt don't seem to fade out. The frames become the background of a love letter which is violent and desperate, the sign of wasted time, of the bitterness of what is and what could have been.

Il peggio di noi

NR 2006
The Singer Stories. Journey among the Cantastorie of Puglia

"Le storie cantante. Journey among the Cantastorie of Puglia" is a documentary that forms part of a broader research project developed by the authors, tracing the roots of Apulian musical tradition—both written and oral. The journey begins with the imagined arrival of Aeneas on the shores of Porto Badisco. The path is shaped by the testimonies of singers of Southern identity, from Uccio Aloisi to Tonino Zurlo, from Enzo Del Re to the choral ensemble Cantori di Carpino, concluding with Matteo Salvatore. Alongside these performer-authors—cantastorie who can be seen as forerunners of modern singer-songwriters (as in the case of Salvatore)—stand contributions from ethnomusicologist and musician Antonio Infantino, director, actor and writer Moni Ovadia, Neapolitan jazz musician Daniele Sepe, and director and actor Michele Placido.

The Singer Stories. Journey among the Cantastorie of Puglia

NR 2006
Roma - un ritratto improvvisario

ROMA is a hastily drawn together documentary/essay on Rome, drawn from a large amount of material collected over two or three years, and put together in haste for an Italian television commission. The material had all been done for myself, but this particular collection of material was drawn together under a deadline and time limitation set by others. As such I feel it is only partly my own expression, done under the gun for other interests, and to make some needed money. As such this work is compromised - while clearly my own in vision, it is not what I would really do with the material, to which I hope sometime to return. But in the meantime it provides a glimpse of Rome - its deep history, its opulent arts, and its sprawling contemporary urban reality.

Roma - un ritratto improvvisario

10.0 2000
Ortona 1943: A Bloody Christmas

It was one of the bloodiest and most mysterious battles of the Second World War in Italy. In Ortona, a small seaside town in the Abruzzo region, Germans and Canadians literally fought street by street, house by house, even room by room. Why did everyone want to conquer Ortona in December 1943? What was so important about it? Why was it forgotten so quickly afterwards? And what secret does Ortona hide until this day? Amazing library footage, never before heard eyewitness accounts, documents that have remained secret until now, recently found German photographs and moving re-enactments help us to relive not only the political and military climate of the time, but take us back to the narrow alleys of the time, standing side-by-side with the soldiers to discover the embarrassing truth that has remained hidden for over half a century.

Ortona 1943: A Bloody Christmas

NR 2008
Extremotions

A film completely excavated by rephotographing rolls of 35mm negative containing images made with the photo-finish (slit scan) technique, the so-called foto-lunga which has no frame line and therefore no individual frames. This sort of proto-film was born not as a film, but as a photograph; I caused it to transmigrate—using a horizontal scanning motion of the filmstrip typical of photo-finish—into a film, thus betraying its natural verticality. I rephotographed the photofinish negative through the gate of an old 35mm moviecamera causing it to advance using the crank handle at a velocity interpolated between the crank handle [of the old 35mm moviecamera] and that of my own [16mm] movie camera. I was interested in seeing figures transformed which had been destined to remain motionless and to see them reanimated.

Extremotions

NR 2009