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Banned Book: Flesh Futon

The film is based on 17th century Chinese erotic novel by Li Yu best known as The Carnal Prayer Mat. Mio is a struggling writer who writes a pornographic book entitled Flesh Futon which becomes a surprise best seller. With his newfound wealth, Mio begins indulging in the nightlife, excusing his activities to his wife by saying it is for research. Mio's reputation comes crashing down when a prostitute reports that his penis is like a "guppy". More bad luck follows. His book is banned, and his wife puts him on a short leash. At the height of his misfortune, his house is robbed. Mio meets the robber who turns out to be the Japanese folk-hero Nezumi Kozō. The two become friends, and Kozō introduces Mio to a doctor who can perform penis-enlargement surgery. With his new equipment, Kozō and Mio become frequenters of the red-light district, until the real Nezumi Kozō appears, and evil luck returns to Mio.

Banned Book: Flesh Futon

9.0 1975
Snake and Lady Slave

Hisayoshi, who was known as "Matahisa" and was a famous bondage artist in the Kansai region, is now a pimp for Mary of Snake Show and does massage. When he is called by a company executive named Shiratori Eizo and goes to his house, he finds Shizuko, whom he saw in town before. Shizuko is the spitting image of Kayo, whom Hisayoshi tied up and killed. Eizo is jealous of Hisayoshi and Shizuko's behavior. Shizuko was subjected to Hisayoshi's secret techniques of "neck rope," "hanging rope," and "crotch rope"...

Snake and Lady Slave

2.0 1976
Bloodiest Flower

A dramatic captivating tale tells of widowed Tei (Junko Fuji), she has become a coalmine operator and is determined to be successful despite mining being a predominately male domain. Overcoming the natural hardships, a more serious threat to Tei and her mine, the menacing presence of rival mining gangs who sense her vulnerability... Nihon jokyo-den:ketto midarw-bana is an outstanding drama, highlighted by wonderful characterizations/performances. Yamashita's excellent direction maintains a rich emotional flow from the opening seconds to the last. Intense and bloody encounters punctuate throughout the engaging multi layered tale!

Bloodiest Flower

6.0 1971
Les chants de Maldoror

A “reading film” of delirious image and text, Les chants de Maldoror takes its title and inspiration from Comte de Lautréamont’s 1869 proto-Surrealist poetic novel which, for instance, describes beauty as the chance encounter of a sewing machine and an umbrella on an operating table. In the novel’s six cantos, a young misanthrope indulges in depraved and destructive acts. Unexpected encounters abound, with turtles and birds joining Terayama’s regular cast of snails and dogs to wander over books and bare torsos. Feverish video processing posterizes, inverts and overlays images that are further colored by sound—pushing the limits of his literary adaptation. Terayama wrote that the only tombstone he wanted was his words, but, as Les chants de Maldoror demonstrates, words need not be confined to carved monuments or bound hardcopies.

Les chants de Maldoror

6.4 1978
Outlaw-Matsu Comes Home

“In Search of Unreturned Soldiers was about former soldiers of the Japanese army who chose not to return to Japan after the war. I found several of them who had remained in Thailand. Two years later, I invited one of them to make his first return visit to Japan and documented it in Outlaw-Matsu Returns Home. During the filming, my subject Fujita asked me to buy him a cleaver so that he could kill his ‘vicious brother.’ I was shocked, and asked him to wait a day so that I could plan how to film the scene. By the next morning, to my relief, Fujita had calmed down and changed his mind about killing his brother. But I couldn’t have had a sharper insight into the ethical questions provoked by this kind of documentary filmmaking.” —Shôhei Imamura

Outlaw-Matsu Comes Home

6.3 1973