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At 10:39 PM of October 9, 1963, a landslide of 250 million cubic meters of land is detached from Mount Toc and falls into the artificial reservoir created by the Vajont dam, located in the northern mountains of the Veneto region (Italy). The landslide raises a hundred-meter-long wave that crosses the dam and within a few minutes falls on the Longarone village, at the foot of the dam. The country is completely destroyed. Nearly 2000 people in a few seconds pass from sleep to death. The film-documentary proposes, almost 50 years after the tragedy, one of the most serious European catastrophes since the post-war period to date. Within the documentary, different and significant are the testimonies of the protagonists of that dramatic event, which has destroyed entire countries and villages. The basis of the film is the extraordinary repertoire material, mostly unpublished. Also, inside the documentary, there is a touching testimony of Giampaolo Pansa, then sent to the Press.

A Donatello award nominated short drama feature.

Live stage recording of the stand-up comedy show, with sketches and videos of old skits from 'Mai dire Gol'.

Shoppers flock to a supermarket during the summer holidays to take advantage of the summers sales. But one shopper, a shy and quiet transsexual, is about to experience something beyond her her wildest imagination.

A Donatello award nominated short feature about a shy child who struggles to make friends with his neighbour.

Gina and Lello are partners both in life and in crime until they find themselves babysitting a kid during a robbery.

Biagio and Salvatore meet one morning by chance at the non-Catholic cemetery in Rome, where they have gone to visit Gregory Corso’s grave. They thus find themselves discussing poetry, modern times that have annulled the word, the nostalgia of “living in verse” and ask themselves if what happened in 1979 at Castelporziano will ever happen again, when authors from all over the world gathered in a great Woodstock of Poetry. Following the two poets on buses and subways, glimpses of walks and trips by car, all form an unusual description of Rome, a journey following the melancholy of the past and the uncertainty of the present, a sort of poetic tale.

Husband and wife Carlo and Grazia make bread in their wood-burning oven and also distribute it to the sellers. They work all night long, every day of the week, as their families used to do. They live in Gorgiti, a village in Tuscany, on the mountains near Arezzo. On the other hand, in Rome, some young people live near Camellia's Square at Centocelle, in the suburbs. We see them at different moments in their lives. Their existences seem to belong to distant and very different universes. There seems to be an irreconcilable generation conflict. The film makes use of documentary and fiction, but tries to amalgamate them while simultaneously using them as opposites.

comparing real sport (health, fun, well-being, feeling good with friends, respect for the rules and fair comparison with others) and the wrong sport, called "Spork": the one without rules, which uses violence against others and against oneself and which is supported by the uneducational behavior of adults.

The trial of a woman in San Miniato accused of witchcraft in 1594.

In his attempt to grow up and become a man, Pietro, a 15 years old boy who lives in the extreme south of Italy, begins to understand the reality in which he is growing up and touches what represents the most violent aspect of mafia: the silence.

Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.

A video by Tonino De Bernardi

A film by Laura Vitali about the last work of the couple Jean-Marie Straub and Danièle Huillet in Buti (Italy) in May 2005, namely the staging of the last five "Dialogues with Leucò" by Cesare Pavese. In this sense, it is a moving testimony. Vitali alternates rehearsal sessions and interviews - by Jean-Marie Straub, Danièle Huillet and actors such as Giovanna Daddi, Angela Nugara and Andrea Bacci - who illuminate from the inside the methods of the two filmmakers and their relation to the work of Cesare Pavese, while situating the very special place that makes this work possible - the small town of Buti which warmly welcomed Straub and Huillet for a decade - and by bringing out the political dimension of their thought.

The spectacular production from the 2007 festival at the historic Arena di Verona. Renowned Verdi singers Leo Nucci and Maria Guleghina take on the roles of Nabucco and his daughter Abigail. Daniel Oren conducts Verona's resident orchestra. Filmed in High-Definition.

The theatre company managed by Marco is passing through a crisis; the big networks invaded the market with their poor products and they lay down the law. Marco finds an important subject to work on: homosexuality; but it is hard to ask Federica, who is a writer and director, to work on it. That subject is a thorn in her side, as it was the cause of her marriage break up. Federica angerly refuses Marco's proposal, but after one night of searching, spent on Internet, she brings to light an aspect of the homosexuality, which doesn't want to give up, now: "The Pink Triangle" that means homosexuality as a martyrdom, the tribute of blood that homosexual people shed during the nazi period. Federica explains Marco and other actors of the company the new project, by telling the historical documentation. Each of them imagines his own character in dark colour performances, often brutal, following the line of blood that history has drawn.

Director Zlata Potancokova Belli is behind this engaging, colorful animated tale. The story follows young Ali Baba who, with his little sister, embarks on a seafaring journey in search of his missing father and brother. Aboard a huge ship owned by the Sultan, they are hit by a tremendous and violent storm, and end up shipwrecked on a desert island.

This documentary for Italian television features extensive interviews with film director Federico Fellini looking back on his career.

Stefano is caught with a bag of cocaine in his pocket and placed under house arrest. Yet the boy knows full well that he has never used drugs. There is someone who wants to frame him, but there are also drug traffickers on his trail, convinced that Stefano has made a load of white powder disappear.

An ancient legend becomes a predicament to the faith of two lovers coming from very different cultural, religious and social backgrounds.

Four separate-but-interconnected stories - one for each season - about life in Sardinia.

Two classic Joe Cocker performances captured live! The first one taken from a classic live performance in Dortmund in 1992, the second is a new concert filmed in Cologne in 2002. All of Joe Cocker's biggest and best known songs are included!

In the aftermath of the 2001 political elections, Matteo quarrels violently with his wife Livia, a passionate left-wing militant, who accuses him of having voted for Berlusconi. Livia is unable to accept the situation but, just as she leaves the marital home, she is hit and injured by a fragment of a plane that crashed in their garden. Matteo, distraught over the loss of his wife, drives in the middle of a storm and hits a man.

Bruno is a cynical but attractive business man, owner of a strip-club. He has to replace his best dancer, Katy, after her suicide. Applicants would do anything to get this job, but only Damy, gorgeous and mysterious girl, catches his attention. What he doesn’t know is that she only has one thing on her mind: revenge.

Before the great crossroads that traces the border between the two provinces, there lies a sheet metal cage at the end of Linden Street. Two women walked slowly.

Christmas is coming and the Mantelli family is ready to spend it together but Alice, mother and wife, is afraid her marriage could end because the spouses are too deep into their routines so she decides they should go on a vacation.

In a small village of Naples three friends, Francis, Mimmo and Lello, manage to get a meeting with three beautiful Bulgarian girls known on the Internet, scheduled for Christmas. The wives alarmed try to stir the spirits of the three hot husbands, but the whole thing is just a trick of three Bulgarians with intent to deprive the people of their assets in the country and that the girls will not.

Internationally acclaimed Chinese film-maker Chen Kaige delivers an opulent staging of the fairy-tale story of Chinese Princess Turandot, who will only marry a prince capable of solving her riddles. With sumptuous costumes and palace sets designed in China, Kaige's production adds a compellingly authentic accent to Puccini's exotic orchestral palette. Zubin Metha and his brilliant Orquestra de la Comunitet Valenciana offer "genuine foreworks of sound" (Wiener Zeitung), Maria Guleghina triumphs as Turandot. Recorded in 2008 at the Palau de les Arts in Valencia. Zubin Mehta (conductor).

From a Calabrian river to a night in Catania where stray dogs roam the city aimlessly: between these two extremes "full of emptiness" is built Checosamanca , a collective work, born with the intention of talking about the present, preferring the action to the easy complaint about the absence of the state and of politics.

A young pig slaughterer dreams of escaping from his suffocating life in the Italian countryside. In a moment of panic, he makes a break for the big city -- bringing along his girlfriend's teenage sister for the ride.

Carlo Corsi, coach of a rising football team, encourages his talented son Marco to become a champion. However, Marco struggles with the pressure, leading him to use performance-enhancing drugs. The mother, Giovanna, tries to reunite the family through their shared love of the sport.

“The Hidden Angels of Luchino Visconti” This is the title. It tells of the man, the great man and director that he was, through the eyes of his closest collaborators, through never-before-seen images of Mario Tursi’s personal photographic archives. He was the photographer who followed Visconti his entire life. In this documentary Visconti’s camera operators who have given back to us the vision of his genius and contributed to his greatness: in silence, without fanaticism or exaltation, and for this reason they are his “Hidden Angels”.

Capitan Basilico, first Ligurian superhero, is always ready to help everyone. But he's busy with the terrible jealousy of Regina, his beautiful ex-girlfriend. After stealing some important monuments, she abducts him in order to accuse him of the crimes. Police ask pop band, Buio Pesto, for help.

A count with simple, unpretentious tastes courts the commoner Chiariella at his villa in Marechiaro. After a couple of broken marriage promises, he manages to extricate himself from the situation with the help of a sprite that pops out of a bottle.

A sequence of unpublished photographs by Deborah Beer taken during the filming of the torture scenes on the set of "Salo, or the 120 Days of Sodom" is accompanied by the voice - recorded by Gideon Bachmann - of Pier Paolo Pasolini who directs the actors: a portrait of the director and his way of working that testifies its determined and passionate “filmmaking"

This elegant romance is the least-known work of the mature Giacomo Puccini . The story concerns a kept woman who defies convention to chase a dream of romantic love with an earnest, if naïve, young man. This Met Opera production features the dynamic soprano Angela Gheorghiu and Frenchborn tenor Roberto Alagna performing the roles of Magda and Ruggero, it blooms into its rightful place in the glorious Puccini canon. La Rondine (The Swallow) was commissioned by Vienna s Carltheater in 1913. Due to the impending outbreak of World War I, premiered in 1917, at the Opéra de Monte-Carlo with Gilda Dalla Rizza and Tito Schipa. Set in a Parisian salon, it is the story of Magda, the glamorous mistress of wealthy banker Rambaldo. Her yearning for romantic love compels her into the arms of the ardent and adoring young Ruggero.

Donizetti's L'Elisir d'Amore is one of the staples of the comic opera repertory. The plot hinges on whether earnest but dim-witted Nemorino will snag Adina, the flirtatious heroine. She's a tease who takes up with Belcore, an army sergeant, to make Nemorino jealous. After numerous (and humorous) plot twists that include a phony love potion, it all ends happily. Adina and Nemorino declare their love for each other, Belcore is dumped, and the fraudulent Dulcamara does a landslide business in love potions. It's all a fast-moving bundle of fun, especially with the star-filled cast of this 2005 Vienna State Opera performance.