Royal Opera House: La Traviata Backdrop Blur
Royal Opera House: La Traviata Poster

Royal Opera House: La Traviata

Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.

Top Cast

  • Renée Fleming

    Renée Fleming

    Violetta Valéry

  • Joseph Calleja

    Joseph Calleja

    Alfredo Germont

  • Thomas Hampson

    Thomas Hampson

    Giorgio Germont

  • Monika-Evelin Liiv

    Monika-Evelin Liiv

    Flora Bervoix

  • Eddie Wade

    Eddie Wade

    Il barone Douphol

  • Kostas Smoriginas

    Kostas Smoriginas

    Il Marchese d'Obigny

  • Antonio Pappano

    Antonio Pappano

    Self - Conductor

  • Richard Wiegold

    Richard Wiegold

    Il dottor Grenvil

  • Orchestra of the Royal Opera House

    Orchestra of the Royal Opera House

    Self - Orchestra

Overview

Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.

Rating

7.0 / 10
1 Reviews
0 Popular

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