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The Cimarron Kid

Audie Murphy comes into his own as a Western star in this story. Wrongly accused by crooked railroad officials of aiding a train heist by his old friends the Daltons, he joins their gang and becomes an active participant in other robberies. Betrayed by a fellow gang member, Murphy becomes a fugitive in the end. Seeking refuge at the ranch of a reformed gang member, he hopes to flee with the man's daughter to South America, but he's captured in the end and led off to jail. The girl promises to wait.

The Cimarron Kid

6.1 1952
Tomahawk

In 1866, a new gold discovery and an inconclusive conference force the U.S. Army to build a road and fort in territory ceded by previous treaty to the Sioux...to the disgust of frontier scout Jim Bridger, whose Cheyenne wife led him to see the conflict from both sides. The powder-keg situation needs only a spark to bring war, and violent bigots like Lieut. Rob Dancy are all too likely to provide this. Meanwhile, Bridger's chance of preventing catastrophe is dimmed by equally wrenching personal conflicts. Unusually accurate historically.

Tomahawk

7.0 1951
The Proud Ones

Robert Ryan plays an aging sheriff responsible for law and order in a frontier cattle town. Virginia Mayo plays his fiancee. As if handling wild cattle drovers isn't enough, a crooked casino operator from Ryan's past comes to town. An early scuffle in the casino leaves Ryan with vision problems that interfere with his duties. Jeffrey Hunter who came to town with a cattle drive encounters Ryan, who killed Hunter's father when Hunter was young. Feelings of animosity soon change as Hunter begins to sense Ryan is telling the truth about his father. What follows is a plot that continues to thicken to the inevitable showdown.

The Proud Ones

6.5 1956
One Good Turn

Norman is the oldest orphan at Greenwood Children's Home and now acts as their caretaker. All the orphans are very happy and well cared for. The adventures start when a nasty property developer who is also the chairman of the orphanage board wants to close the orphanage and build a factory on the site. The children are sent to Brighton for the day and Norman is very excited because he's "Never seen the Sea". When they get back they discover the plan to close the orphanage and have to decide what to do

One Good Turn

6.2 1955
Illicit Motherhood

A group of drifting youngsters train to commit petty thefts. A certain André puts them on the trail of a real hold-up. They might carry it out if a suicide attempt didn't stop them. A young woman throws herself into the river. They save her, comfort her, learn that she's pregnant. They surround her with their friendship. When André reappears and seizes Lucienne to throw her on the pavement, everyone unites to save her, and the kind-hearted Maurice offers to be the baby's loving father.

Illicit Motherhood

3.0 1953
Flying Padre

Stanley Kubrick’s short documentary about Father Fred Stadtmueller, a Catholic priest serving a vast 4,000-square-mile parish in rural New Mexico. To reach his scattered congregation, he pilots his own Piper Cub aircraft, the Spirit of St. Joseph. Over two days, Kubrick follows the “flying padre” as he conducts Mass, mediates between quarreling children, attends a funeral, and airlifts a sick child to medical care—capturing both the challenges and quiet heroism of his daily mission.

Flying Padre

5.1 1951
The Cutlass

The teenager Misha Polyakov, being with his mother in a Ukrainian village on vacation with his grandmother and about to return home to Petrograd, offers his best friend Genka to go with him. Suddenly, a white gang of Nikitsky bursts into the village and attacks Misha’s house, where Commissioner Polevoy lives. The purpose of Nikitskiy (aka Nikolskiy) is a dagger located at Polevoy. Saving the commissioner, Misha learns from him the history and secret of the weapon, and receives it for storage with a request to solve the secret. Having returned with adventures to Petrograd, Misha Polyakov with friends begins to unravel the riddle of the dagger, in the handle of which is encrypted text.

The Cutlass

4.4 1954