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The Taste for Flour

This documentary is about the Montagnais from Saint-Augustin et de La Romaine Indian reserve, in the region of the Côte-Nord in Quebec. Perrault approach those First Nations Citizens in order to discover that even if in our traditional occidental thinking and culture we consider ourselves superior to them, we still have a lot to learn from their traditions and ancestral way of living. Through a warm, human and respectful gaze, Perrault looks at the repercussions of European civilization's influence on Aboriginal culture, exploring the imagination and the codes of Native from Canada. The result, contradictory yet profound, was especially striking thanks to the sublime images captured by Gosselin within close relations with the Cinéma-Direct tradition in witch Perraut is one if not the greatest ambassador in the world.

The Taste for Flour

7.5 1977
Rose's House

This NFB docu-drama takes an unvarnished look at life in a working-class boarding house. Based on the filmmaker's memories of his own mother's boarding house in Cabbagetown, Toronto, the story revolves around Rose and how she runs her establishment. With a household as full and varied as hers, domesticity clashes with disputes about bootlegging, violence, and stealing. Even authority isn't exempt: she does battle with a social worker over her son's theft of a bicycle. Rose is the queen of her castle, and delivers her own brand of justice.

Rose's House

9.0 1977
Surfacing on the Thames

‘A beautiful, mysterious yet satisfying optical illusion…celebrates the early passing of a steam on the Thames. Using freeze-frame techniques, elaborate dissolves, and most of the resources on the optical table, this picture is, amongst other things, a Turner come to life. Rimmer’s concern with the surface nature of the film is most evident in this work which, in spite of its filmic complexity, is incredibly simple.’ — Donald Richie. Preserved by the Academy Film Archive in partnership with Pacific Cinematheque in 2013.

Surfacing on the Thames

6.3 1970
Don Messer: His Land and His Music

Don Messer: His Land and His Music celebrates the king of Maritime fiddling. It's 1969, and Messer's band is on a poignant, cross-Canada farewell tour. Poignant, because CBC-TV has just announced the cancellation of the long-running Don Messer's Jubilee. But if Messer's upset, he isn't showing it. Instead, he's in top form, packing them in from Halifax to Whitehorse: one curling rink, hockey arena and small-town theatre after another. More than a musician, Don Messer was a genuine folk icon, idolized by millions of fans who felt as though they knew him personally. Although he died in 1973, Messer has remained a vital presence in Canadian music. Fiddlers continue to be inspired by his old-time style. Don Messer: His Land and His Music marries cinematic innovation with irresistible, toe-tapping music - taking us on the road, into the studio and backstage with a one-of-a-kind, fun-loving band.

Don Messer: His Land and His Music

10.0 1971
Leo Mol

A documentary that looks at the sculpture of internationally acclaimed artist Leo Mol, who has lived in Winnipeg since 1948. Focuses on the creation of a bronze portrait of the Ukrainian composer Mykola Lysenko, the founder of the conservatory in Kyiv. The entire process of sculpting in the lost-wax method is shown (from the plasticene stage through to casting) and explained in the voice-over narration. Mol himself talks about his art and his philosophy of life, and some of Lysenko's music is played on the soundtrack.

Leo Mol

NR 1978
Kevin Alec

In the mountainous country near Lillooet, British Columbia, eleven-year-old Kevin Alec of the Fountain Indian Reserve learns to make fishnets with his grandfather, and skin and tan hides with his aunt. He goes fishing with his grandmother and horseback riding with his brother. Life is full of wonderful things to do and to learn. Will Kevin eventually abandon his traditional way of life or will it be a source of continuing enrichment? This film is part of the Children of Canada series.

Kevin Alec

NR 1977
Puberty - Part 1

An intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure. This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

Puberty - Part 1

NR 1975
Sounds from Our People: Old Crow

The village of Old Crow and the people from the Vuntut Gwitchin First Nation are located on the banks of the Porcupine River 80 miles inside the Arctic Circle. The film shows the lifestyles and spirit of the people of Old Crow, reflected in the writings of Gwich'in Edith Josie and the stories told by Elder Kenneth Nukon. Alanis Obomsawin wanted to document life in the community before the proposed Mackenzie Valley Pipe line was to go through. "Everything will be changed -- it will never be the same again".

Sounds from Our People: Old Crow

NR 1979
Maud Lewis: A World Without Shadows

Set against a background of her paintings and the Yarmouth, Nova Scotia, landscapes they depict, this short documentary is a portrait of the life and work of one of Canada's foremost primitive painters, Maud Lewis. Emerging from her youth crippled with arthritis, Lewis escaped into her painting at the age of 30. She had never seen a work of art and had never attended an art class but her paintings captured the simple strength, beauty and happiness of the world she saw - a world without shadows.

Maud Lewis: A World Without Shadows

10.0 1976