Michael Snow's 1970 film A Casing Shelved combines a projection of a 35mm slide showing a bookcase in Snow's studio with a tape-recorded narration by the artist that discusses various objects within the image. Not only addressing viewers directly, Snow's narration attempts to direct our eyes toward specific portions of the image, as if spectatorial vision could function in a manner analogous to camera vision.
Michael Snow's 1970 film A Casing Shelved combines a projection of a 35mm slide showing a bookcase in Snow's studio with a tape-recorded narration by the artist that discusses various objects within the image. Not only addressing viewers directly, Snow's narration attempts to direct our eyes toward specific portions of the image, as if spectatorial vision could function in a manner analogous to camera vision.
A deranged man hides in the attic of a new house and becomes obsessed with the unsuspecting family that moves in.
Nelson Hibbert expects to become the new president of Nagel Industries, but Mr. Nagel gives the promotion to another employee. When Nelson barges into Nagel's office to confront him, he finds Nagel's been murdered. Fearing that he will be implicated, Nelson decides to run from the law...despite the fact that the police already know the killer's identity.
A teen slams her car into a building, killing her boyfriend and his friend. What seems like a tragic accident becomes a murder case.
The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.
When a couple of scammers hold young Alice Faulkner against her will to discover the whereabouts of letters whose dissemination could cause a scandal affecting the royal family, Sherlock Holmes decides to take over the case. (Considered lost, a copy was found in 2014, in the vaults of the Cinémathèque Française.)
A business man buys a house, but he has a hard time trying to get rid of its previous tenant, a dirty bum.
A burned-out professional sniper finds himself trapped in an all-glass penthouse by a lethal competitor and must find a way to survive and escape with little to no cover between him and the killer.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
In what would cause a fantastic media frenzy, Clifford Irving sells his bogus biography of Howard Hughes to a premiere publishing house in the early 1970s.
When hundreds of videotapes showing torture, murder and dismemberment are found in an abandoned house, they reveal a serial killer's decade-long reign of terror and become the most disturbing collection of evidence homicide detectives have ever seen.