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The Unpredictable Factor

In today's climate debate, there is only one factor that cannot be calculated in climate models - humans. How can we nevertheless understand our role in the climate system and manage the crisis? Climate change is a complex global problem. Increasingly extreme weather events, rising sea levels, and more difficult living conditions - including for us humans - are already the order of the day. Global society has never faced such a complex challenge. For young people in particular, the frightening climate scenarios will be a reality in the future. For the global south, it is already today. To overcome this crisis, different perspectives are needed. "THE UNPREDICTABLE FACTOR" goes back to the origins of the German environmental movement, accompanies today's activists in the Rhineland in their fight against the coal industry and gives a voice to scientists from climate research, ethnology and psychology.

The Unpredictable Factor

NR 2022
Mein Freund, der Mörder

Long-term portrait of the burglar and bank robber Bernhard Kimmel, who became known in the 1960s as "Al Capone of the Palatinate", cracking up to three safes in one night with his gang. Director Peter Fleischmann met Kimmel in 1970, when he had just completed his first, almost ten-year prison sentence. He interviewed him and became friends with him. Kimmel resumed his criminal career until 1982, when he shot a policeman after robbing a savings bank and injured another so badly that the latter was left paraplegic - a tough test for the friendship between the director and the robber turned murderer. Kimmel was sentenced to life imprisonment, but was released on parole after 22 years - and Fleischmann completed his portrait.

Mein Freund, der Mörder

NR 2006
Fernes Land Pa-Isch

The 16-year-old Umberto, who lives in an East German small town with his mother and his little half-sister Bianca, dreams of Pa-isch, the country to which Bianca's Angolan father returned long ago. Pa-isch, a verballhorn of the Portuguese word for country, is far enough to no longer have to see the changing men's acquaintances of his drinking mother. When the family moves to Hamburg, everything gets even worse. The mother professionalises her constant partner changes and becomes ill with all abundance. Umberto's flame Tschibo also turns out to be a prostitute. Umberto is full of nose. He steals a heavy machine and breaks up to Africa with Bianca.

Fernes Land Pa-Isch

9.0 2000
It's Just a Whole

In a sterile white examination room, a young woman is asked by a doctor to undress completely. An exhaustive examination of the protagonist’s skin begins during which every centimetre, the palm of her hand, the sole of her foot, the back and also the genital area are closely scrutinised. The doctor meticulously probes every nook and cranny of the young woman’s outer shell until she is able to identify a suspicious birthmark. A timely appointment to remove the mole is made.

It's Just a Whole

7.0 2023
Der Clown 2: Feindschaft

Second TV movie to precede the German series Der Clown (1998-2001). On the grave of his parents, who disappeared under terrible circumstances, Max Zander vows to fight crime and terrorism for the rest of his life. He becomes one of the best agents in an elite intervention group. During a dangerous mission, his best friend is killed before his very eyes. To defend the law and justice, he decides to die and be reborn as a ghost: the Clown is born. Max Zander is the Clown!

Der Clown 2: Feindschaft

5.5 1998
The Soft Course

Bernhard works as a warehouse clerk in Munich. After being sentenced to probation for a physical altercation with a right-wing extremist, he could no longer continue his engineering studies. Bernhard meets Johanna. She comes from a well-to-do family; her father is a real-estate developer and her brother is in the diplomatic service. Bernhard wants to share his roots with her, so the two go to Prague, where he lived until the end of the war. But her father disapproves of the trip to the Eastern bloc. When Bernhard finds out that he owes his chance to develop new technology, which led to his career advancement, to his girlfriend’s father, he is upset …

The Soft Course

6.3 1967
Peter Nagel

Peter Nagel is Schleswig-Holstein's most famous painter and a founding member of the artist group "Zebra," which launched New Realism in Germany in the 1960s. His "greatest" work is a ceiling painting that has adorned the ceiling of a school in Kiel since the mid-1970s. Director Christian Mertens, himself a former pupil there, returns to his old school 25 years later and immerses himself in the world of Peter Nagel: How do you do something like that? Who does something like that? And what kind of person is he?

Peter Nagel

NR 2014
In a Land That No Longer Exists

It's 1989 in East Berlin: Suzie is kicked out of school shortly before she graduates from high school and has to defend herself as a worker in the cable factory. However, a randomly taken photo leads her to the fashion world of the GDR. The editor-in-chief Elsa Wilbrodt put her on the cover of Sibylle, the fashion magazine of the GDR. In the Berlin underground scene she made the acquaintance of the gay fashion designer Rudi and the photographer Coyote. Suzie must decide if she's brave enough to leave the old strands behind forever.

In a Land That No Longer Exists

6.2 2022
Der Seelenbräu

In Alt-Köstendorf in the Salzburg region, the dean, known as Seelenbräu, and the brewer Hochleithner, known in the village as Leibesbräu, are fighting for supremacy. As their nicknames suggest, Leibesbräu is primarily concerned with the physical well-being of the villagers, while Seelenbräu cares deeply about the faith of his congregation. This leads to repeated clashes between the two men, who could perhaps be described as stubborn. When Hochleitner's niece Clementine leaves the convent and wants to stay at home, a new dispute flares up between Seelenbräu and Leibesbräu.

Der Seelenbräu

6.9 1950
Spiritual Constructions

One of Oskar Fischinger's earliest films, Seelische Konstruktionen (as it is known in German), clearly points the way to the masterpieces of musically-blended experimental animation he would conceive in the decades to come. The sense of masterful timing and rhythm, the easy and natural -- though patently Fischinger-esque -- character traits of the subjects, and the smooth precision of both line and movement are all present already. Unique is the black-silhouetted, semi-cartoon characters (not nearly as rigidly self-contained as Lotte Reiniger's cut-out forms) which seem to adhere to no physical limitations whatsoever. Morphing into shapes, structures, objects, patterns, and even one another, as though they were made of pure mercury and set to music. As for the "story", it's rather non-sensical, and certainly silly, but also has a slightly dark and devious tinge to it as well; men becoming monsters, uncontrollable shape-shifting and the constant, almost desperate movement.

Spiritual Constructions

6.8 1927