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The Hawaiian Islands: The Chief Industries

The Hawaiian Islands, located 2,000 miles from the U.S. West Coast, primarily rely on agriculture for their economy, as they lack significant minerals and manufacturing. Sugar cane and pineapple are the two main crops. Sugar cane, first cultivated in Hawaii over a century ago, is harvested after 1.5 to 2 years of growth, with fires used to clear leaves before gathering. Pineapples are planted using a paper mulch technique, and the ripe fruit is quickly processed for canning. Shipping plays a crucial role in transporting these products to the mainland U.S. and bringing necessary goods to Hawaii, making it vital for the islands' prosperity.

The Hawaiian Islands: The Chief Industries

NR 1951
Off the Shoulder

A woman shows off her shoulders for the camera while wearing a selection of different low-cut tops in this strange silent short film, shot partially in black and white and partially in colour, for persons and reasons unknown. At points the model appears to be struck by the absurdity of the situation, and looks like she might have been tempted to laugh. Perhaps the work of an amateur film-maker, this film entered the BFI National Archive as part of a large donation predominantly comprised of late 1950s 16mm glamour films produced for the home movie market. One of the most enigmatic items in the deposit, nothing is known of who made it, or exactly for what purpose.

Off the Shoulder

NR 1951
Children of The Sun

Color UCLA Student Film, Preserved by the UCLA Film and Television Archive. A drama of Indigenous Kichwa/Quechua campesino struggle against an oppressive colonial hacienda patron. A dramatization of the hacienda system in Peru, in which Spanish colonial patrons stole large land tracts and forced Indigenous people to work the land. When one man refuses to work the hacienda in exchange for meager coca leaves, he initiates an Indigenous Campesino rejection of the hacienda system.

Children of The Sun

NR 1958
Feeling Left Out? (Social Adjustment)

This is the story of Mike Hanlon, a high school football player and a boy of pleasing personality. Mike wants friends but instead of trying to make friends with individuals, he concentrates on becoming friendly with a certain group of boys. However, each time he approaches them, he is re- buffed. He feels left out. His coach notices this and explains to him that cliques always exist and that there are several ways that those left out might react. Mike decides to make friends with individuals and is on his way to social maturity.

Feeling Left Out? (Social Adjustment)

NR 1951
Alcoholism

The film portrays alcoholism as a mental health problem and as an illness that can respond to treatment. Demonstrates that the causes of this illness are imbedded personality difficulties often relating back to the early formative years of the victim’s childhood. The film discusses different forms of alcoholism and the different treatment required for each type. The role of Alcoholics Anonymous is covered and a plea made for increased public facilities for the treatment of alcoholics.

Alcoholism

NR 1951
The House of Mario de Andrade

"Documentary on Mario de Andrade's house on Rua Lopes Chaves, São Paulo. Aspects of the façade and its interior, where the furniture, paintings, manuscripts and various decorative objects can be found" from his position as director of the Municipal Department of Culture and his administrative works from 1935 to 1937. In 1938, in Rio de Janeiro and his return to São Paulo, to his paintings and his piano. Your collection of sheet music and records. The living room at Lopes Chaves' house is decorated with objects from different cultural backgrounds in Brazil. Engravings by foreign artists and rare books. Your sculpted bust."

The House of Mario de Andrade

NR 1955