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Jasper National Park

This travelogue of Canada's Jasper National Park starts with a visit to the totem pole in the town, then to Lac Beauvert and the park's lodge and bungalows, where more than 600 guests enjoy golf, swimming and scenery. Within the park are the Canadian Rockies' highest summit, largest glaciers, greatest ice fields, and deepest canyons. After a lesson about feeding bears, we tour the vast park: Pyramid Lake and Pyramid Mountain, Mount Edith Cavell and Angel Glacier, a horse trail overlooking the Athabasca River, Athabasca Falls, the Great Colombia Ice Field, Athabasca Glacier and the special cars that bring tourists, and finally Maligne Lake, a fisherman's paradise.

Jasper National Park

6.0 1952
Chacha Zindabad

Colonel father of Renu (Anita Guha) and Judge father of Vinod (Kishore Kumar) are childhood friends; whose fathers used to be friends. Renu loves Indian music and Vinod is highly influenced with the western music. When Colonel and Judge want to extend their friendship to a relationship; Vinod and Renu realize that they do not love each other and plan to make their parents enemies.But when their plan succeeds they realize that they actually love each other and they now have uphill task to revert the damage they have caused. Enters the Contractor (Om Prakash), who wants his son to marry Renu to his fumbling Son (played by Anoop Kumar) for the wealth of the Colonel. Colonel agrees and it adds to the woes of Vinod and Renu. The rest story is would they succeed in uniting their fathers!

Chacha Zindabad

8.0 1959
Jitterbug Jive

Olive has invited the boys over, but finds Popeye old-fashioned compared to the zoot-suited Bluto. Popeye wants to dance a waltz, pull taffy, play pin-the-tail-on-the-donkey and croquet, and bob for apples, but Olive turns up her nose at all these as Bluto sabotages them. Finally, Bluto pours quick-drying cement in the apple water and drives off with Olive. Popeye, encased in cement, rolls downhill into a vegetable shop, right next to a bin of spinach. Good thing, because Bluto's getting fresh in a very old-fashioned way. A zoot-suited Popeye stops him, and gets the girl.

Jitterbug Jive

8.5 1950
A Teenager's Choice

Soon-to-be-18-year-old heroine has decided to run away and elope with her well-meaning boyfriend, who schleps for pennies at the local service station... until her dad gives her the ol’ guilt trip about how important a real Christian wedding in a church is to a successful marriage: "Marriage is a sacred relationship. And you'll be starting right with Christ at the center of your life!" Then she tells her would-be hubby that she’d rather just stay home and play Scrabble with the fam for now instead of putting dents into the headboard: "Marriage is...for real!" All is happy.

A Teenager's Choice

NR 1959
Merry Mirthquakes

The 1953 feature is a Compilation film, with pianist Liberace as the master of ceremonies in which his music is woven in-and-around the presentation of three 1951 shorts, consequently it is comprised of about 45-minutes of footage from the full-showing of the shorts (credits and all as shown on their original release, preceding each) and between those, the maestro is seen and heard playing his own arrangement of 'Chopin's Waltz in C Sharp Minor," and "Polanaise"; Liszt's "Liebestraum"; "The Yaketa-Yak Polka", based on the Tritsch Tratsch polka of Johann Strauss' and the folk song "Orche Tchorina." Scattered between the music is "Groan and Grunts" with Gil Lamb; "Lord Epping Returns" with Leon Errol, and 1950s "Waiting For Baby" with Scott Elliott(billed as Robert Neil) and Suzi Crandall (billed as Susan Crandall.)

Merry Mirthquakes

3.5 1953
Odds & Ends

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

Odds & Ends

7.3 1959
Turas Tearnaimh

Government-sponsored health information film promoting awareness of the infectious disease, Tuberculosis. The film takes the form of a narrative in which a young man believes he has caught a cold until his wife advises that he attend a doctor. When the doctor diagnoses TB and admits the man to hospital, he goes through the various stages of the disease, and leaves the hospital in good health. A concluding statement reveals that the death rate from the disease has declined from 4, 306 in 1943 to 1, 600 in 1952. An aerial shot of the new James Connolly Memorial Hospital at Blanchardstown, Dublin, concludes the film with an assurance that Ireland's employment of modern methods in treating the disease and the introduction of the BCG vaccine are capable of countering it.

Turas Tearnaimh

NR 1954
The Vikings: Life And Conquests

This 1959 Encyclopedia Britannica Film explores the lives and actions of Vikings, also called Norsemen or Northmen. While perhaps slightly romanticized, the film attempts to depict the Vikings’ travels and impact on history, by showing their traditions, explorations, their raiding and pillaging of their neighbors, and their eventual conversion to Christianity. The film also portrays the daily life of Vikings, including people plowing fields, harvesting hay, grinding grain, and men making tools and doing metalwork. This is followed by a map and animation of the furthest Viking explorations including to North America and through Russia to Constantinople. The film concludes with the departure of a Viking longship.

The Vikings: Life And Conquests

NR 1959
The Right Start

Pint-sized punk (PETER VOTRIAN) uses the old five-finger discount to swipe an alarm clock from storekeeper WALTER COY (the mad scientist of I Eat Your Skin) who then tells Christian cop STUART RANDALL. After the cop confers with the boy's grim-faced pa, PAUL BRYAR, the little delinquent is enrolled in Sunday school! And-- surprise, surprise -- once the kid is given a lil' new Testament all his own ("Isn't it slick! Can I write my name in it, Pa?") he decides stealing alarm clocks just isn't his style anymore. And Yes, all is happy. Those Lutherans really do have all the answers!

The Right Start

NR 1955
Hell Has No Doors

UCLA Student Film, Preserved by the UCLA Film and Television Archive. Surreal interpretive dance of a tormented woman. A woman dances up to a spinning mobile with a diamond necklace hanging off on part and a web at the center. Mesmerized, she mimics the mobile's movemnents in dance. She approaches a clock where every place reads 12, calling out for help. She finds a man, approaching him with desire, kissing him and oral sex is insinuated. The film becomes inverted as she pirouttes repeatly. Back to a positive image, she encounters a door into the heart of the mobile, the web. Sbe closes the door and encounters another version of herself, then again the mobile spinning. She then stabs herself repeately with a knife and screams.

Hell Has No Doors

NR 1952
A Magnet Laboratory

In the hands of another director, the inner-workings of a magnet laboratory could have caused a whole classroom to fall asleep of boredom. No so when Leacock was hired to produce this twenty-minute version of lab mayhem. Try this: six researchers in a lab at MIT in the late 1950's show-off the power of electro-magnets, and in the process, accidentally set an experiment on fire. Or this: half way through the film the phone rings off screen, and host Francis Bitter says "tell 'em I'll call 'em back later" while he's looking at the camera, discussing bus bars. Leacock’s fleshed out all the personalities here, from "Beans" Bardo, who cranks up the generator to nearly explosive proportions, to the mysterious Mr. Lin, who barely peeks over his shoulder at us, seemingly in mockery, disdain, or curiosity.

A Magnet Laboratory

NR 1959
The Constitution and Censorship

Shows the relationship of the Constitution to the issue of prior restraint on freedom of expression. Presents the case of Burstyn v. Wilson challenging the constitutionality of New York State's film censorship system and Cantwell v. Connecticut involving questions of freedom of speech and religion. Discusses the questions pertaining to freedom of speech when multiplied via recordings or film, and how the claims of free expression can be weighed against claims for local, state, or federal protection.

The Constitution and Censorship

NR 1957