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Molten Shadow

"Bruce Wood's films are among the most sensual of any "abstract" animated work ever made. Projected, they generate a fluid stream of organic images in a carefully controlled post-cubist space comparable to the work of painters like Jackson Pollock. Viewed one frame at a time, (which is the way much of the footage is shot), they recall the rich lines and textures of such master etchers as Rembrandt. Wood's use of camera movement during the exposure of each individual frame - like drawing - together with the illusion of movement in projection make his films both beautiful and unique." -Bill Judson, Curator of Film, Museum of Art, Carnegie Institute.

Molten Shadow

NR 1976
Never Give Up: Imogen Cunningham

Considered one of the century's great photographers, Imogen Cunningham (1883-1976) is profiled in this 1974 film that follows the slightly eccentric artist in her native Seattle. Cunningham reflects upon her life in photography, and shares her thoughts about feminism, work, marriage, old age and death--all conveyed with an irascible humor that sustained and fortified her throughout her long life. Showcasing many of Cunningham's photos, this film is a tribute to her life and legacy.

Never Give Up: Imogen Cunningham

NR 1976
There But For

There But For resembles a soap opera; its characters—a couple whose relationship has seen better days, a ball-and-jack playing adult/child, and a couple that comes to visit the family—are in the midst of their day-to-day lives (an imitation of life). The music was composed and performed live on the set as the play unfolded. There But For is a free-form chance operation within the defined boundaries of place (an apartment) and the assigned roles of the players: the mother (bitch), the father (jerk), their kid (retard), and their visitors. The players continually argue as they feel their way through this structure, where ambiguity is the form. The kid asks, “Is mediocrity its own reward?” Perhaps the clue for the viewer is in the tape’s title: There But For (the grace of God go I)."

There But For

NR 1979
Double Headed Eagle: Hitler's Rise to Power 1918-1933

Presents a unique and disturbing look at the rise of the Nazi party. The documentary, directed by Lutz Becker, attempts to remain as objective as possible, serving as a neutral observer of the years 1918 through 1933 in Germany. Via newsreel footage and clips of features from the era, the film offers a kaleidoscopic view of the many elements that fueled the rise of the Socialist Nationalist Party, including post-WWI poverty. Hitler occupies a central place in the documentary.

Double Headed Eagle: Hitler's Rise to Power 1918-1933

8.4 1973
Scenes Seen with Allen Jones

Scenes Seen with Allen Jones explores the motive of the artist's famed graphic works,, paintings and sculptures. The erotic overtones of Jones's work are both controversial and exciting, drawing the public's attention towards a new sector of the avant-garde. Jones is introduced in his London studio, where he is developing an idea for a new painting as he meticulously studies his model. During his days as a top member of the Pop Art movement in Britain, Jones evolved a singular genre of imagery: totemic forms of torso-less legs, sheathed in vinyl, which have become his artistic "signature."

Scenes Seen with Allen Jones

NR 1970
Blue Bathroom

Blue Bathroom is a distillation of ideas concerning the tension between representation and materiality. It begins with an apparently straightforward representational image which is gradually revealed to be an artifice, foregrounding the filmmaking process as subject matter. By superimposing and alternating identical framings of three windows filmed by day and by night the film uses their positive/negative aspect to construct and break down representational images and sounds. Blue Bathroom consists of three parts which can be shown individually or together. These are Fan (6 mins, silent), Blue Bathroom (11 mins, sound) and Behind the Mask (8 mins, sound). Fan and Behind the Mask can also be presented as the two screen video installation Double Shutter.

Blue Bathroom

NR 1979
Art Lives Series: Joan Miro

With his seemingly naïve, symbolic paintings, Joan Miró formed a new artistic language in the 20th century. Brought up in Barcelona, the painter, graphic artist and sculptor was drawn to Paris and, under the influence of the surrealists, developed his unique style and poetic imagery that unite Catalan folk art and fantastic elements. Robin Lough followed the 85-year-old Miró to theatre rehearsals and went to see him in his studio on Majorca. There he met with an amazingly creative and disciplined artist, whose visionary pictures paved the way for abstract expressionism.

Art Lives Series: Joan Miro

NR 1978
Black Sabbath - Pop Shop: Part 1

In the history of rock, Black Sabbath is considered the pioneer of metal. Led by Ozzy Osbourne on vocals and Tony Iommi on guitar, Black Sabbath influenced the heavy metal scene. In 1970, RTB cameras filmed the British group in concert, in Brussels, in its original formation. Setlist: 01 – Introduction 02 – Paranoid 03 – Hand Of Doom 04 – Iron Man 05 – Black Sabbath 06 – N.I.B. 07 – Behind The Walls Of Sleep 08 – War Pigs 09 – Fairies Wear Boots 10 – Creits

Black Sabbath - Pop Shop: Part 1

NR 1970
Decade of Death

This highway scare film produced by the Highway Safety Foundation in 1971, "Decade of Death", is a retrospective of the organization's 10 years of gory, shocking social guidance films which aimed to promote traffic safety and driver responsibility through the display of bloody and horrific footage of traffic crashes.The Highway Safety Foundation made driver scare films such as "Signal 30," "Mechanized Death," and "Highways of Agony" that intended to encourage drivers to drive responsibly and with consideration of the risks and consequences. It was the organization's belief that crash footage, while horrific, was the best way to convey the importance of driving safely.

Decade of Death

NR 1971
A Day at the White House

he US President launches an all-out “war” on obscenity. Working with the director of the investigative bureau, under the code name “Operation Bow-Wow”, the President’s dedicated staff swings into action. Lori Saunders, willing to do anything to help her imprisoned dad, is recruited as a “Bow-Wow” agent, and sent to Los Angeles to bring down the porn industry but instead falls in love with the well-endowed founder of the city's only rental house for animal sex performers.

A Day at the White House

1.0 1972