The short is a blunt piss-take on the work of their peers in the experimental, co-operative Melbourne and Sydney production scenes of the 1970s. Miller, appearing onscreen, critiques the film in progress – an essayistic meditation on ‘hot and cold’ (or so Kennedy facetiously claims in voiceover).
The short is a blunt piss-take on the work of their peers in the experimental, co-operative Melbourne and Sydney production scenes of the 1970s. Miller, appearing onscreen, critiques the film in progress – an essayistic meditation on ‘hot and cold’ (or so Kennedy facetiously claims in voiceover).
At a media-swamped party to celebrate his seventieth birthday and screen his avant-garde film-in-progress, a legendary but jaded Hollywood director is faced both with voracious fans and unsettling questions about what became of his lead actor.
Life's questions are 'answered' in a series of outrageous vignettes, beginning with a staid London insurance company which transforms before our eyes into a pirate ship. Then there's the National Health doctors who try to claim a healthy liver from a still-living donor. The world's most voracious glutton brings the art of vomiting to new heights before his spectacular demise.
A comedy that follows two high school students -- one overachiever struggling to write his valedictorian speech, the other a senior now going on his 15th year of school.
This is the story of the internal struggle between a man's Brain—a pragmatic protector who calculates his every move, and his Heart—a free-spirited adventurer who wants to let loose.
A burned-out paramedic tries to survive his last 24 hours on the job while training a new recruit.
During the troubled shooting of several movies, David, the prop man's assistant, meets an aspiring actress who tries to find work in the studio. Things get messy when the stagehands decide to go on strike.
As a writer named Mike struggles to shepherd his semi-autobiographical sitcom into development, his vision is slowly eroded by a domineering network executive named Lenny who favors trashy reality programming. The irony, of course, is that every crass suggestion Lenny makes improves the show's response from test audiences and brings the show a step closer to getting on the air.
A racist insurance agent lives in a typical suburban neighborhood, but his bigoted world of taunting and harassing black people on and off the job is turned upside down when his skin inexplicably turns dark overnight.
Guy is a young film executive who's willing to do whatever it takes to make it in Hollywood. He begins working for famed producer Buddy Ackerman, a domineering, manipulative, coldhearted boss. When Guy also finds out that his cynical girlfriend, Dawn, has been using sex as a career move, he reaches his limit. Guy decides to exact revenge on Buddy by kidnapping him and subjecting him to cruel and unusual punishment.
In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.