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A sonic journey through Basque punk rock and the turbulent past that defined its sound, chronicling the rise of the gaztetxe movement.

Je Suis follows the path of a young woman who faced the challenges of extended solitude during the past year. While following an ancient ritual to present a gift to the nature gods, Claude meets a mythical woman, Gaïa. The pair embark on a journey together through which the goddess guides her to reconnect with herself and the surrounding world.

A girl asks herself many questions, confronts some of her monsters, anger makes her transform into a wasp, she intertwines with her king, cries excessively, turns red all over, and in the end grows into a giant.

Rosa is sunbathing in her garden while the gardener is working next door. Rosa is watching the gardener, increasingly intoxicated by the tender way he handles the flowers.

An uninspiring character decides to visit his uninspired author.

A documentary about a case of modern slavery in one of the largest sugar cane plantations in the world, located in the Dominican Republic and belonging to the Fanjul Family, one of the most powerful families in America.

This documentary follows the testimonies of 7 LGBT people who left their countries to flee discrimination and live in Spain. Their testimony is strong, moving. The director steps aside to give them full voice in a sober setting that allows them to give their stories full attention.

Richard Forbes-Hamilton's "(third study for) Swedge of Heaven" explores themes of liminality, transition and reanimation around locations of ritual gatherings in Essex. Starting in an edgelands underpass, we come across a Neolithic fertility figure and a rave mascot beating a drum with glowsticks. Employing 3D models of real-world sites alongside computer-generated actors, the film hovers between neon and natural worlds.

"In Vivo" is an assemblage of found footage. Doing doesn't provide much in the way of conventional context as to how these varied sources interrelate or how they should be read. But in editing them together at all, he asserts a radical subjectivity, an authorial presence that is autobiographical even when the images themselves are clearly borrowed from another vault. Doing positions himself, and the histories through which he has lived, within a much vaster narrative, implied through the other-realm textures of analogue footage as much as the actual content of his archival excerpts.

A man in love with the Sun prepares for a transformation to prove his undying loyalty and dedication.

Elise Guillaume's "Borderline" parallels the complementary patterns of human and nonhuman forms, from tree limbs, spines and trunks, placing untamed nature adjacent to a clinical medical setting. The film reflects on these worlds as co-dependent, connected and combined – and how this relationship can enable rebirth and overcome pain.

In a haunting encounter, the film captures our fragmented perception of time during the pandemic while exploring the dynamics of mutual support. We are made aware of earthly transience (mono no aware) in a time when the Earth seems to stand still. Before We Collide is a short film shot on a Nishika N8000 analog lenticular camera consisting of over 800 photographs pieced together. The film does not give the impression that it is made for me, you, or anyone for that matter. It simply exists as an artefact that can be witnessed, like found footage of a ghostly apparition.

The photographer and filmmaker Guillermo Cantón premiered “Dos Gringos”, a one-hour documentary on the history of the last 100% Argentine automaker: Industrias Eduardo Sal-Lari (IES). Based on Citroën products, IES manufactured low-cost vehicles in the Buenos Aires town of Mercedes, between 1983 and 1990.

ITV News Royal Editor Chris Ship marks the most significant moments in Prince Philip’s life and finds out how the son of a Danish prince ended up marrying The Queen.

A group of barbaric raiders, relishing in the glory of their latest bloody venture, traverse ancient and unknown lands looking for their way home. Unfortunately, this will be no simple task as there is something, in the darkness, that even these seasoned warriors should fear.

Climbing. It's doubtful that if we asked you to name your favourite part of the ride, the climb would be it. However, a huge area of cycling is obsessed with the pipedream of increasingly lightweight superbikes. We're setting out to create a no hold's barred lightweight climbing bike, using cutting edge components and materials, to see how light we can go. However, it doesn't stop there. We're then running the numbers to see just how much of a performance increase this bike can lend to a regular in the hillclimbing pain cave. Meanwhile, there's the matter of body weight vs bike weight to the resolve. Has the arms race for the lightest bike possible been the wrong focus all along?

A parent-teacher meeting one Saturday morning attempts to address a complicated altercation between teenagers Jolene Strickland and Stacy Duvelier, with the help of an expert arbitrator, Julie Langham.

An account of the life and work of Spanish journalist Manu Leguineche (1941-2014), an indefatigable nomad who, after living through decades of countless adventures and enduring hardships, wars and catastrophes traveling the globe, achieved his goal of discovering the harsh reality of the world, and its immense beauty, to his legions of readers.

A short film created by Tiago Ruas during his time at Arts University Bournemouth.

Valeria remembers her relationship with her father and experiences feelings of anguish over his absence.

by Ferrania Film Museum

With Eating Soil, the filmmaker Laura Weissenberger weaves a collective cosmos of scenes constellated by an extended Latin American family in Colombia.

An imaginary dialogue with Antonio Valencia, culminating, as it should, in a goal shout.

An observational documentary that focuses on the Tentative Association, which helps young people with autism develop independence and socialization skills. Seven autistic people live in a big house and, together with their helpers, they fill their days with household tasks.

Through training GANs (generative adversarial networks) on thousands of photographic portraits of pulled, intentionally marked and distorted faces, algorithms were lured into creating the unexpected. The result; a series of uncanny faces, familiar, yet distant. A homogenisation of the face, some adhering to and some transcending social and cultural norms. Many of the generated faces are unnerving, complete with lacerations and scarring, a result of original disrupted images going through the digitised learning process within virtual space.

During the summer, the children of Toulouse in France discover their river almost dry. Eager to grow up in a world where fish will not be roasted by the sun, the children imagine their ideal city, a city that no longer uses fossil fuels. But what would a week without oil look like? Children challenge themselves to do without it, and their families, to their great misfortune, will be associated with it willingly or by force. The consequences will not necessarily be the ones we imagine.

Dara and Sophie's once close friendship is now only sustained by likes, memes and ever-delayed meet-ups. When Sophie commits suicide, Dara is forced to look behind the surface of Sophie's last messages.

The Normandy landings were the landing operations and associated airborne operations on Tuesday, 6 June 1944 of the Allied invasion of Normandy in Operation Overlord during World War II. Codenamed Operation Neptune and often referred to as D-Day, it was the largest seaborne invasion in history. The operation began the liberation of German-occupied France (and later western Europe) and laid the foundations of the Allied victory on the Western Front.

A queer re-reading of Leonardo da Vinci's masterpiece. What if the Twelve had been women? Sitting at Christ's table on the eve of the Crucifixion, the apostles question the realities of our common world, and unconsciously come up against the thorny issue of representation.

A biographical 2D animation following the realisation of a missed opportunity to make a connection with a relative after attending their funeral digitally during the pandemic.

2019, Paris, 11-year-old Maxime thinks of jumping into the river. A caped woman stops him. Maxime runs away from this stranger. But Super Marlene as a job to do. The boy reveals that he suffers from not being a Marine to his parents who deny his transidentity. Tonight, Marlene saves Marine and vice versa.

Home in the Air is a reflection both on our idea of home and caretaking, and on our passage through this patch of sky. Built like a nest, with the bare essentials, the film has a poetic dimension with its focus on the bird’s and children’s watchful observation and on a listening ear for their songs and flutterings. Home in the Air is not about aesthetics or anything premeditated, it’s a natural prayer of the soul, an ode to animal and human behavior. The sharp eye of a bird and the children’s voices off-camera give shape to this film which places itself somewhere between the Earthly and the Divine.

Life is a line we walk on. No matter what choices we make, life always moves forward. Let’s finally take the time to contemplate the path that brought us here. Because in the end, what counts is the path taken and not the destination.

A fusion of theater, dance, soundscape, and documentary exploring the aftermath of patriarchal oppression in Elvas, a small town in Southern Portugal. It aims to address the psychological and sociological implications of patriarchal oppression within the community and the family unit.

The film follows the day of the final assembly for Bernardi Marmi Srl and the Bernardi family where, after the founder and grandfather of our protagonist, Argante, fell ill with Alzheimer’s, the antagonist, Davide, the new husband of Livia, Argante’s mother, tries to sell 50% of the company to a foreign entity without being faithful to the company’s values. Argante will be the only one who can really change the cards on the table, however, to succeed, he will have to be honest with himself and with others about who he is and who he wants to be.

A personal expression of transformation, as a mother turns her grief and silence around a miscarriage into an expression of remembrance.