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Every day, 11 million people fly across the globe, unaware that the air in the cabin may contain dangerous toxins.

Rafael lives in a rural town in the province of Buenos Aires in a sexist context. When his childhood friend returns to town, Rafael must leave his father behind to pursue his own desire.

Drag queens and goth punks get turned into zombies by the patriarchy's toxic foundation (like, the make-up kind) and they get saved by a butch undertaker who feeds them with breastmilk.

When a stubborn and introverted young man goes on a walk in the countryside, he must learn to listen to what a deaf woman has to say as he finds her with a twisted ankle.

Three years, between 2015 and 2018, tell the story of an Italy that, in a schizophrenic manner, opened and then closed its doors to migrants, leaving stories, dreams, plans and budding relationships out in the cold, all in the name of the (overly enthusiastic) call for integration.

Documentary showing the coaches of the French Revolution and more.

Two friends walk and talk as violence happens around them, unnoticed yet visibly affecting them.

After killing a young girl in a car accident, a guy is followed by mysterious men...

Born out of West Yorkshire Queer Stories’ oral history project, I’m OK are you OK? inclusively represents the diverse stories of nine people from across the region. Ranging from sex ‘education’ in the 1960s to life as a QTIPOC teen in present day Bradford, the film uses mixed media and a variety of storytelling modes to intimately relate lived experience.

It’s a documentary about Sahrawi people, removing of geography and politics, making it simply a "human" story. Giving a voice to this people who are in an impossible situation, forced to live confined in a refugee camp.

When I was little there was a big flood in the neighbourhood. The neighbours survived, but many of the memories we kept in the basement did not make it. My father saved and cleaned various slides one by one; however, the water had given them a different meaning.

Director William Hanekom invites you into a new tale of childhood terror. Join the child on their journey as they are separated from mother, left at the hands of whatever strangers they meet. But there is something that the child sees that the adults don't...

Following three third-generation Italians living in Edinburgh, this documentary explores the establishment of one of the biggest immigrant communities in Scotland and their rich contribution to Scottish cuisine. Once considered the recipe of an honest immigrant, what happens when WWII transforms ice cream to the food of the enemy?

A film about one girl's search for the meaning of life

Since Cups closed several years ago, few nightspots on the island focus specifically on catering to women in the LGBTTQIA+ community. The people interviewed in this documentary yearn for safe nighttime spaces to dance, enjoy, and socialize with other queer women. In the absence of these establishments, the Nok Nights proposal has emerged, a party organized by queer people that seeks to provide a safe nightlife environment specifically for women from the LGBTTQIA+ community. However, it is a sporadic event, as it does not have a place or fixed dates. So where do queer women go the rest of the nights?

Alberto, who suffers from OCD, is forced to share his apartment. However, the interview process to find a roommate doesn't go that well.

Story about Sudanese women traditional dress (Toob) and the impact of it in Sudanese upraising 2018.

A girl lives locked in her home surrounded by a high hedge. When the wind carries onto her balcony dry leaves, empty shells, faded petals and other small fragments from the woods – she collects them to keep them indoors and admire their beauty. It will be the wind that accidentally forces her to leave the house, to venture beyond the hedge and to lead her to an encounter with nature and with her self.

Cardón cardinal arose from the investigation of an event that occurred twenty-six years ago; the displacement of a giant cactus, a Pachycereus pringlei, seventeen metres high and weighing eighteen tons, from the desert of Baja California to the garden of the Mexican Pavilion for the Universal Exhibition of 1992 in Seville. The cactus was later ceded to Seville City Council and now survives next to the ruins of what was once the pavilion [Punto de Vista 2021].

In the course of one night, which could be many nights, two persons talk about first love, sex, childhood memories, daily banalities and deeper fears. In this conversation, the characters face the disagreement of their own words and show their debility in intimacy. Through a visual and narrative experimental exercise this short-film explores scribbled levels of human relationships and their constant tension between love and solitude.

Farnham wanted to capture the craziness of the last few months of juggling home life, working and home-schooling, whilst staying alert! He 3D-scanned his children taking part in the various banal activities he hadset up for them.

A compilation of the innovative webseries, created for AMPLIFY! film festival by project director Becky Edmunds. It employs voice, sound design, and archive film to tell the remarkable story of Dick Perceval. The discovery of his diaries in a pile of rubbish inspired the production and its exploration of his life in England during the mid 20th century. A cast of hundreds enters Perceval’s world via archive film drawn from old Hollywood movies, public information broadcasts, cine club creations, and home movies.

In this film, the three authors Sabine Bohland, Shafagh Laghai and Caroline Hoffmann talk about surprising everyday encounters on their travels through very different African countries. In doing so, they dispel one or two clichés and look at the often misunderstood continent from a completely different angle. After all, who would have thought that one of the best goudas could be found in war-torn eastern Congo?

Spasms and cries that echo through the night announce the presence of a new being.

Between coming and going time feels leaden – a half-life in the light and dark contrasts of a linocut. The narrating voice’s mother cares for seniors in their homes for five euros an hour. At their bedsides the ticking clock counts down the working day, caught between the frightening sounds of the heavy breathing that comes with impending death and the roar of promises made by television. The dying are mother’s livelihood.

Everyday Apocalypse is a new short film made by four local young people, developed in collaboration with artist Kimberley O’Neill, exploring our shared experiences of lockdown. Over a three week period in August, the group met via Zoom to share stories and develop the film. Through a series of online workshops, the young people were introduced to lo-fi mobile-phone filmmaking techniques and used writing exercises to generate ideas—expanding their personal quarantine anecdotes into subjects and locations for the film.

In Roundtable Conversation, Anderson brings together family members of Black men who have died in police custody or psychiatric units; mental health and legal professionals; activists and artists who reflect on violence as it relates to institutional racism. Through their discussion, the people gathered round the table communicate what needs to be done in order to free the Black mind.

Fi Dem III is produced and commissioned by Berwick Film & Media Arts Festival, Spike Island, Bristol and Transmission, Glasgow.

This documentary recounts the saga of Lourdes Benavides and her family’s many attempts to cure her of her lesbian desires as a teenager. Queering the archive through found footage, first person accounts and extensive research into Chicago-Read Mental Health Center, this intimate and experimental documentary uncovers the deeply personal story of Lulu’s struggles with her identity after migrating from Mexico City to Chicago’s westside during the 1970s. From intersecting histories of institutional racism, homophobia and sexism comes the voice of a tenacious Latina and her queer son’s journey to retrace his mother’s steps and treatment across a city.

Antigenic signals. Contact, resistance with a robe where the radiologist immerses the body of the performer in a series of audiovisual signals that makes for an antigenic edition which then becomes perceptible to the human eye.

A radical Northern Irish theatre company make the world’s first documentary opera, taking every homophobic phrase said by the DUP, and putting it to music, verbatim.

Short film by Kaori Yasunaga.

A hotel provides a metaphor for the psyche in an essay film that investigates the uncanny. A dead boyfriend, a spirit guide, and a character who leaves herself behind populate this journey through space and mind.

‘Pomp’. Last chapter of the series. The colors blue and gold are dominating this film. ‘The Blue Hour’ – glittering stars at the night sky and on vaudeville stages. Finger dances in golden gloves of satin, full glasses of champagne in circle choreographies, collective ‘Golden Showers’. Performers in bluecatsuits. Everything moving in circles. Pure ‘Pomp’.

It was a hot sunny day in Venice, peering from the Rialto Bridge at a view which must be one of the most commonly shared scenes of the local topography. Thinking about the colour, light and the beauty of Giovanni Canaletto’s paintings and the way in which he made use of his camera obscura and wondering how different it would have been in 1730.

A divertissement that brings to life the Bach family and their many musical talents, as a “struggling impresario” asks them to compose an opera. Music by Michele dall'Ongaro, libretto by Vincenzo De Vivo. Conducted by Federico Amendola. Directed by Cesare Scarton.

Kathir, a journalist, meets Parthiban, a charismatic cult leader who has agreed to give him an interview.