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TIME AFTER CANALETTO

It was a hot sunny day in Venice, peering from the Rialto Bridge at a view which must be one of the most commonly shared scenes of the local topography. Thinking about the colour, light and the beauty of Giovanni Canaletto’s paintings and the way in which he made use of his camera obscura and wondering how different it would have been in 1730.

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It was a hot sunny day in Venice, peering from the Rialto Bridge at a view which must be one of the most commonly shared scenes of the local topography. Thinking about the colour, light and the beauty of Giovanni Canaletto’s paintings and the way in which he made use of his camera obscura and wondering how different it would have been in 1730.

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