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Simpatici & antipatici

In the Tiber sports club, Alberto, a ruthless property developer, the cynical surgeon who makes thirty million dollars after a prostate operation, the actor exhausted by failure and the failed salesman who sells caviar by discounting prices and who tries to make up for continuous overdrafts in the bank, meet. There is also the starlet with a Venetian accent and the hateful scion with a Ferrari, the waiter who dreams of being the scion and the jeweler who loses his house, wife and wealth because of the hot Spanish woman.

Simpatici & antipatici

5.4 1998
Boatman

In a series of small portraits, Gianfranco Rosi depicts life on and along the banks of the Ganges River. The director’s first film documents the boat trip he took along India’s sacred river with his helmsman, Gopal. They pass tourists and locals, witnessing them bathe, work, or meditate. The film captures the imagination of the endless circle of life and death, which is rooted in the lives of the Indian people, and is convincingly manifested in the way they bid farewell to the dead.

Boatman

6.8 1994
The True Life of Antonio H.

This film depicts a series of landmark events in the life of hapless thespian Antonio Hutter (Alessandro Haber), the unfortunate fictional alter-ego of legendary actor Alessandro Haber. This surreal faux-biography begins with Hutter's birth in Bologna, Italy, and his early life in the Middle East and follows him through the highs and lows of his acting career, using a combination of interviews with real-life colleagues, archival footage and improvised scenes along the way.

The True Life of Antonio H.

8.3 1994
Un eroe borghese

1979. Lawyer Giorgio Ambrosoli is appointed liquidator of Banca Privata Italiana, the empire of mighty financier Michele Sindona. Teaming up with unassuming cop Silvio Novembre, Ambrosoli uncovers the real scope of Sindona's malpractice, exposing him as the middleman in a global network linking the Sicilian Mafia, Italy's ruling Christian Democrats, and CIA-backed covert operations across Western Europe. Isolated by his own government and pressured by mob hitmen, Ambrosoli refuses to back down, insisting he is simply 'doing his duty'.

Un eroe borghese

6.7 1995
Talent Agency

James, an unscrupulous director, and George are the joint owners of a film studio. One morning, the corpse of a messenger boy is found by a cleaning lady, but the identity of the youth's killer remains a mystery. Gloria, a stunning actress who is seeing George, rejects unwelcome advances from James. Determined to get the attractive actress into bed, James reveals that he has video footage which shows her killing the messenger. It emerges that she murdered the young man after he tried to sexually assault her. However, there is a twist...

Talent Agency

9.0 1993
The Childhood Friend

40-year-old Arnold Gardner is put in charge of the talk show "The Twenty-fifth Hour" after the death of the former host Duncan Mackay. His role on screen creates immediate interest and the program becomes a great success with TV audiences. This proves to be a period of great satisfaction for Arnold, but his childhood friend, Eddie Greenberg, suddenly comes on the scene. Eddie is ill and frustrated by lack of success, and is so resentful and envious of Arnold's fame that he wants him to make a full public confession of a "sin" he committed in his young days.

The Childhood Friend

6.1 1994
Jealousy

Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed. Soon she is trying to hold him to her with her oh-so submissive love, and he is playing some games with her head by pretending (usually) to have been playing around with others. Eventually, he encounters another woman who is not so sticky and tells her to buzz off. When they meet some time later, it becomes clear that the relationship meant different things to each of them.

Jealousy

3.7 1991
Squillo

Maria, a provincial Polish girl, travels to Milan to pay her older sister Eva a surprise visit. The sisters haven't seen each other in seven years and Eva has changed a lot. She lives in a luxurious apartment and dresses in designer clothes. Although she pretends to be an interpreter, Eva is actually a call-girl and, one night, fails to return from an appointment. Maria enquires at the hotel where Eva last worked. Eva's body is soon found. The investigation is conducted by Inspector Messina, a trendy cop. Maria and Messina become an inseparable investigating team. Maria poses as a call-girl in order to reveal her sister's killer and they use mobile phones to keep in touch.

Squillo

3.7 1996
La Cenerentola

A timeless tale told in a florid bel canto style, Rossini’s take on the Cinderella story offers an ideal propellant for a virtuosic mezzo-soprano to rocket from rags to riches. But in this retelling, the supporting characters soar just as high: Cinderella’s Prince, her stepfather, and the Prince’s valet are given memorable arias, and the composer rounds out his score with ingenious ensemble flourishes. A vivacious masterpiece, La Cenerentola brings stock fairy tale characters to dazzling life.

La Cenerentola

NR 1997
Gipsy Angel

A love story cloaked in gypsy magic. Angel is a famous rock star. An idol for millions of teenagers who copy her "look" and adopt her language. She has everything a girl could wish for with the exception of a true love. Suddenly, her whole life crumbles; she is blackmailed with some videos where she is seen making love with Francisco, a gypsy boy he met on the island of Ibiza. Francisco, who is in love with Angel, admits that he had been paid to seduce her, but he did not know he had hidden cameras in the room. To prove his love, he decides to personally undertake the investigation leading him to unveil a surprising ending.

Gipsy Angel

4.5 1990