Nineties Part II

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.

A comedy film composed of 14 episodes. It is a sequel to I mostri, made in 1963. 1. The Finch of Val Padouan (Ettore Scola) - 2. Tantum ergo (Dino Risi) - 3. Hitchhiking (Mario Monicelli) - 4. Kidnapping of a Beloved Person (Ettore Scola) - 5. First Aid (Mario Monicelli) - 6. Big Boy to His Little Mother (Dino Risi) - 7. Model Citizen (Ettore Scola) - 8. Pornodiva (Dino Risi) - 9. Like a Queen (Ettore Scola) - 10. Inn! (Ettore Scola) - 11. Without Words (Dino Risi) - 12. The Funeral Oration (Ettore Scola)

Comedy about the flawed Italian healthcare system of the time and a doctor's expeirence with it.

A series of skits involving customers and store personnel from several departments of the big department store.

A satire on the American film "The Exorcist," but with an Italian twist.

A good-natured but unlucky Italian is constantly going on a difficult situations, but never lose his mood.

Sergio Benvenuti is a shy seller of contracts for a Roman company of music, but because of his character he cannot find even a customer, so he asks for help from a fellow named Nadia.

The third film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.

Pasquale Baudaffi, on amnesty, comes out of prison and starts looking for a job with the help of his cousin Gaetano. But first he goes to what was once a brothel, but, unbeknownst to our hapless hero, has been taken over and rented as a dental office. Pasquale finds himself at the center of endless misunderstandings. He tries to be a gamekeeper but that's not okay, he tries to be a waiter in a bar: he immediately gets his orders wrong and he is fired. His performance as a garage keeper was negative. The very latest experience is in an electronics company but its insertion into the futuristic mechanism triggers the craziest complications. The encounter with a lost dog allows him to get to know his mistress and thus discover the woman of his life.

In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.