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We Are Two Abysses

Living alone in the highest mountains of Portugal, Carlos has spent years writing letters to his beloved late wife, suspended in a time that no longer exists. His solitary world is disrupted when a filmmaker, on a quest to find a mysterious lake, stumbles upon him. What begins as a chance encounter soon evolves into a deep, yet fleeting friendship. To her, Carlos slowly reveals the depth of his grief, his memories, and his inner abyss. In their shared moments, the boundaries between their lives blur, offering both a glimpse of healing amidst the shadows of longing.

We Are Two Abysses

6.0 2025
Scent Evidence

The scent trail as an evidentiary method in criminal proceedings was invented in the USSR and subsequently developed by the East German secret police and widely used against opponents of the regime. Since the 1980s, it has become a common part of police and judicial practice, even in the post-communist Czech Republic. Zuzana Piussi's latest film continues the director's investigative work dealing with the problematic construction of reality and dead ends in Central European justice. It follows the fate of people who seek retrials of unfair court proceedings and, in the wake of this, asks whether the method of proving the presence of a person at a crime scene based on the scent detected by a dog is really impartial or how it is possible that a scent trail is often sufficient as the only evidence to convict suspects, even though it is questioned by scientists.

Scent Evidence

NR 2025
Underpass

Underpass is located at the intersection of material deformations and the genre tropes of horrors and thrillers. The defining event of the second half of the 20th century – the assassination of John Fitzgerald Kennedy, is in the film combined with the creative decomposition of grainy 8mm film. The dread of the initial shock is conveyed by non-figurative scratches and omnipresent eye-like perforations. The internal rhythm was set to recording from a police dictabelt, which captured the global encounter with the real in a similarly unstable vein.

Underpass

NR 2025
Port Workers

A group of workers from the port of Genoa, organized under the autonomous acronym C.A.L.P. (Collettivo Autonomo Lavoratori Portuali). They gather in an assembly to discuss the difficulties in dealing with the union, to denounce the passage of ships transporting weapons and explosives destined for war zones, and to reflect on the need to build networks and incorporate an intersectional approach into their political actions. Portuali is a film that tells the story of work and the union world from the inside, as well as the various forms of activism, laying the groundwork for a new narrative of class struggle.

Port Workers

7.2 2025
Elu õpetaja

Helju Tauk (1930 - 2005) was a versatile and bright personality, pianist, pedagogue, musicologist, music promoter and one of the founders of the Tallinn Music High School. She was also a dissident and she shared knowledge with her students not only about music, but also about culture and life in general. She experienced the repressions of the KGB, she was banned from teaching and performing, but she bravely continued her activities. In the film, Helju Tauk's friends and students share their memories of her.

Elu õpetaja

NR 2025
Fragments Across the Screen

This omnibus film was created for a workshop commemorating the 30th anniversary of Korea National University of Arts School of Film. Students, alumni, and faculty present eleven shorts exploring everyday images across film, photography, painting, games, animation, and advertising through contemplative, critical, and satirical approaches. From supercut aesthetics to structural compositions and essayistic narration, each work examines how images generate meaning. While functioning independently, these shorts intersect within a shared framework, offering new perspectives on viewing moving images.

Fragments Across the Screen

NR 2025
Gabriela Misstrans: Dissident Delirium

Gabriela Misstrans, a trans artist and performer, is invited to the gala of the Viña del Mar Festival. To prepare, various members of the LGBTQ+ community come together to help her with her makeup, hair, and wardrobe. She dresses as a virgin, draped in a trans flag. During the process of getting ready, a doubt arises: is she actually invited to walk the red carpet at the gala, or just to sit in the general audience? The doubt creates chaos and delirium... Dissident Delirium.

Gabriela Misstrans: Dissident Delirium

NR 2025
The Dancer

For Ahmad Joudeh, a stateless refugee from Syria, dance is not a choice, it’s a lifeline – etched onto his very skin with the words “Dance or Die.” Having defied war and family disapproval to join the Dutch National Ballet, Ahmad found sanctuary in the Netherlands, becoming a UNHCR and LGBTQI+ Ambassador. But haunted by the trauma of his past, he makes a perilous decision: to return to Syria for the first time since the war, risking everything to bring the healing power of dance to a community still ravaged by conflict.

The Dancer

1.0 2025
No Somos Maquinas: We Are Not Machines

Hidden in the shadows is a Latino workforce that feels they have no voice. Part of a strategy to distance themselves from workers, temporary and sub-contracted work offers little protections and few legal obligations by employers. But these workers do have a voice, and together they are empowering one another to move progress forward. This film was produced in cooperation with Rutgers Professor Dr. Todd Wolfson and his students. It tackles the subject of temp labor and focuses on the New Labor worker center founded in New Brunswick, NJ.

No Somos Maquinas: We Are Not Machines

NR 2025