Twenty One
An 11-month-old girl is adopted in China by white parents. 21 years later, that same girl, who is already an adult, reports how her eyes have become witnesses of hatred in a country that insists on saying that they are not racist.
An 11-month-old girl is adopted in China by white parents. 21 years later, that same girl, who is already an adult, reports how her eyes have become witnesses of hatred in a country that insists on saying that they are not racist.
Elene Mengyu
Self
An 11-month-old girl is adopted in China by white parents. 21 years later, that same girl, who is already an adult, reports how her eyes have become witnesses of hatred in a country that insists on saying that they are not racist.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
Through interviews with both victims and instigators, Nanfu Wang, a first-time mother, breaks open decades of silence on a vast, unprecedented social experiment that shaped — and destroyed — countless lives in China.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
New York, 1980. Three complete strangers accidentally discover that they're identical triplets, separated at birth. The 19-year-olds' joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A family falls prey to the manipulative charms of a neighbor, who abducts their adolescent daughter. Twice.
The life and career of an actor, artist, and icon. His own journey through his own camera.
This character-driven film considers the evolving sex trafficking landscape as seen by the main players: the exploited, the pimps, the johns that fuel the business, and the cops who fight to stop it.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.