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Miró, l’altre

As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building. Portabella was not interested in simply filming a testimonial documentary. However, he said he would do the film if after the exhibit Joan Miró himself, with the help of the cleaning staff erased his own painting. Joan Miró accepted the idea without a doubt. The complicity between the film maker and the painter is evident in the filming.

Miró, l’altre

5.0 1969
The Miracle Fair

A color-coded testimony of a bygone era. In the documentary, director Jerzy Hoffman presents the magical world of a folk marketplace. As a result, groups of imposters, specialists in black magic, home-grown inventors and charismatic healers are gathered among the stalls. Wonder Fair is a colourful world full of figures of the Blessed Virgin Mary, gingerbread hearts and ointments for all ailments. The documentary, awarded at the 1967 Tourfilm Competition in Warsaw, gives up irony or big-city paternalism, presenting the characters with sympathy and warmth.

The Miracle Fair

8.0 1966
L'Afrique et la recherche scientifique

This documentary offers an overview of French scientific research in Africa French scientific research in Africa: hydrology, botany, biology oil palm and coconut cultivation, industrial sea fishing and and urban planning. Film montage taking stock of scientific research research in Africa, mainly in the fields of hydrology hydrology, botany, biology and agriculture. The film is a compilation of extracts from several short films made by Jean Rouch in Mali, Niger and Côte d'Ivoire between 1962 and 1963: Abidjan, port de pêche, Le Mil, Le Cocotier and Le Palmier à l'huile. l'huile.

L'Afrique et la recherche scientifique

NR 1964
Frames of Reference

An educational physics film utilizing a fascinating set consisting of a rotating table and furniture occupying surprisingly unpredictable spots within the viewing area, Leacock’s Frames of Reference (1960), features fine cinematography by Abraham Morochnik, and funny narration by University of Toronto professors Donald Ivey and Patterson Hume, in a wonderful example of the fun a creative team of filmmakers can have with a subject other, less imaginative types might find pedestrian.

Frames of Reference

9.5 1960
Heiligabend auf St. Pauli

A paean to alcohol as a means of survival to this world, and to the ephemeral communities created by our need not to be alone. On Christmas Eve, between six in the evening and four at night, Klaus Wildenhahn films people who are excluded from this "must be" celebration, and land up in a bar in St. Pauli, Hamburg: truck drivers and prostitutes, regular or casual customers, a coach and an amateur boxer... all desperately in search of happiness, tenderness and sex.

Heiligabend auf St. Pauli

7.0 1968