In 1964, Switzerland presented and looked at itself in a great national Exposition in Lausanne. One of the main attractions was this critical self-portrait in five short movements that deals as much with the nation’s beloved clichés as with its problems.
Corinne Coderey
Bernard Junod
In 1964, Switzerland presented and looked at itself in a great national Exposition in Lausanne. One of the main attractions was this critical self-portrait in five short movements that deals as much with the nation’s beloved clichés as with its problems.
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