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Among the Wild Chimpanzees

In 1960 Jane Goodall set out for Tanzania's remote Gombe Stream Game Reserve to study the behavior of man's closest living relative, the chimpanzee. With dedication and perseverance she earned the trust of a wild chimp community, and gradually they revealed their individual personalities and the rich tapestry of their daily life. This program looks at two landmark decades of Jane Goodall's work, including her dramatic discovery of chimpanzees making and using tools.

Among the Wild Chimpanzees

7.8 1984
Hôtel La Louisiane

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.

Hôtel La Louisiane

NR 2015
Living Unlimited

Advertising film illustrating Frigidaire’s plans for convenient, high-tech appliances for the “housewife of the future.” Animated sequences explain the woman’s role as helpmate and how man’s inventions have made her housework easier. Looking ahead 25 years, Living Unlimited predicts even more innovations, including the computerized meal planner, the flying car, disposable bed sheets, the ultrasonic dishwasher, the videophone, and the automatic spanking machine. Included is live-action footage of the “Kitchen of Tomorrow.”

Living Unlimited

NR 1951
Salvador Allende

A leftist revolutionary or a reformist democrat? A committed Marxist or a constitutionalist politician? An ethical and moral man or, as Richard Nixon called him, a "son of a bitch"? In SALVADOR ALLENDE, acclaimed Chilean filmmaker Patricio Guzmán (The Battle of Chile and Chile, Obstinate Memory) returns to his native country thirty years after the 1973 military coup that overthrew Chile's Popular Unity government to examine the life of its leader, Salvador Allende, both as a politician and a man.

Salvador Allende

6.9 2004
Guttman X 5

Five short movies, linked by an animation, inspired by the life and work of Amos Guttman, the director from Transylvania who was a pioneer in Israeli gay cinema and died from AIDS in 1993. Produced by Tel Aviv Film Festival, it is a mixture of different styles and genres and is directed by six film-makers. In the last moving episode Kati Guttman celebrates his son, who passed away twenty years ago, and also recalls for the first time his own deportation to the Nazi death camps.

Guttman X 5

8.0 2015
Slipknot - Hellbound

Presenter of the BBC Radio One Rock Show, Daniel P. Carter is granted the chance to speak with band members: Corey Taylor, Shawn Crahan and Jim Root in the wake of their fifth album '.5 The Gray Chapter' whilst on their UK leg of the album tour. Carter, over the course of the film charts the history of Slipknot, delves into their evolution following the death of founding member Paul Gray and gives a glimpse at how Slipknot have transcended their genre in the process of cultivating a loyal fan base.

Slipknot - Hellbound

NR 2015
The Architecture of Doom

Featuring never-before-seen film footage of Adolf Hitler and the Nazi regime, The Architecture of Doom captures the inner workings of the Third Reich and illuminates the Nazi aesthetic in art, architecture and popular culture. From Nazi party rallies to the final days inside Hitler's bunker, this sensational film shows how Adolf Hitler rose from being a failed artist to creating a world of ponderous kitsch and horrifying terror. Hitler worshipped ancient Rome and Greece, and dreamed of a new Golden Age of classical art and monumental architecture, populated by beautiful, patriotic Aryans. Degenerated artists and inferior races had no place in his lurid fantasy. As this riveting film shows, the Nazis went from banning the art of modernists like Picasso to forced euthanasia of the retarded and sick, and finally to the persecution of homosexuals and the extermination of the Jews.

The Architecture of Doom

7.3 1989
When Hitchcock met O'Casey

It was a collaboration between one of Ireland’s most noted playwrights and cinema’s greatest directors, yet the 1930 release of Juno and the Paycock is often neglected in the repertoire of both men. Brian O’Flaherty’s documentary aims to find out why. Featuring extensive, incisive interviews with family members, academics, directors and actors, including Shivaun O'Casey, Prof Charles Barr, and Peter Sheridan, it tells the story of how these two iconic figures met and the legacy of the film.

When Hitchcock met O'Casey

NR 2019
L'Âge d'or de la pub

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

L'Âge d'or de la pub

6.5 2023
Behind the Scenes of Dilan ITB 1997

Behind the Scenes of Dilan (Di Balik Layar Dilan) is an approximately 75-minute observational documentary that captures Ariel NOAH’s journey as he is entrusted with the role of the adult Dilan—a decision that immediately sparked public debate. Amidst the commentary, expectations, and the weight of nostalgia attached to the figure of Dilan, the film goes beyond simply observing the acting process; it dissects how a fictional character transforms into a collective memory contested by many. From Bandung as the birthplace of the myth, through intimate reading rooms, to the final day of shooting, the documentary follows Ariel's transformation as a human being, a public figure, and a new vessel for an icon. Ultimately, the film poses one profound question: when a myth changes bodies, who is truly being tested—the actor, the character, or the audience's own memory?

Behind the Scenes of Dilan ITB 1997

NR 2026
Safety Third

“There’s a fine line between being bold and being a dumbass. And I think Brad did some time on both sides of the line.” Such are the words filmmaker and climber Cedar Wright uses to describe the subject of his new film. Meet Brad Gobright, 27 years old, busboy at a fine dining establishment, dirtbag, college dropout. Gobright’s diet consists of sprinkled donuts, scraps from work, glazed croissants, apple pie, and any and all junk food. And one other thing: Gobright is one of the best and boldest free solo climbers in the sport — who nobody has ever heard of. Safety Third shines the spotlight on Gobright, probably for a shorter moment than he deserves. But it doesn’t matter. His mind is elsewhere, focused on his next free solo.

Safety Third

10.0 2017
Serengeti Shall Not Die

The film tells of the beginnings of the Serengeti National Park in Tanzania. At the end of the 1950s, the Tanzanian National Park Administration wanted to fence in the protected area around the Ngorongoro Crater. Bernhard and Michael Grzimek were invited by the national park administration in 1957 to get a precise picture of the animal migrations and to provide the national park administration with the values ​​they needed for their project. Using a new counting method with two airplanes, the Grzimeks found out that the migration of the herds was different than assumed.

Serengeti Shall Not Die

6.5 1959
The Boxing Kangaroo

The Boxing Kangaroo is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul’s peep show Kinetoscopes, featuring a young boy boxing with a kangaroo. The film was considered lost until footage from an 1896 Fairground Programme, originally shown in a portable booth at Hull Fair by Midlands photographer George Williams, donated to the National Fairground Archive was identified as being from this film.

The Boxing Kangaroo

4.6 1896
The 16th Man

Rugby Union has long been viewed in South Africa as a game for the white population, and the country’s success in the sport has been a true source of Afrikaner pride. When the 50-year-old policies and entrenched injustices of apartheid were finally overthrown in 1994, Nelson Mandela’s new government began rebuilding a nation badly in need of racial unity. So the world was watching when South Africa played host to the 1995 Rugby World Cup. Though they had only one non-white player, the South African Springboks gained supporters of all colors as they made an improbable run into the final match where they beat the heavily favored New Zealand team. When Mandela himself marched to the center of the pitch cloaked in a Springbok jersey and shook hands with the captain of the South African team, two nations became one. Oscar winner Morgan Freeman and director Cliff Bestall will tell the emotional story of that cornerstone moment and what it meant to South Africa’s healing process.

The 16th Man

6.8 2010
Traffic Control: The People's War on Internet Porn

A documentary that follows a new piece of legislation on its way to Capitol Hill. The Internet Community Port Act, also known as CP80 or Community Port 80, asks that adult content be placed on separate channels (ports) on the Internet so that parents can keep it out of their homes and schools. What ensues is a ferocious debate between parents, pornographers, doctors, technologists, addicts, business owners and children. But one voice is missing: our political leaders.

Traffic Control: The People's War on Internet Porn

NR 2007
From the East

In this incisive dispatch from the newly collapsed Soviet empire, bullet holes from WWII still pockmark the old stone buildings. Akerman journeys from East Germany to Moscow between the late summer and winter of 1993 ('while there’s still time'), chronicling in deliberate tracking shots, circular pans, and domestic tableaux yet another moment of radical upheaval in the 20th-century, the faces and bodies of Poles, Ukrainians, Germans, and Russians weighed down with obedient resignation and uncertainty.

From the East

7.0 1993