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Embark on a thrilling journey into the heart of the Northeast Tiger National Park, where researchers and scientists are dedicated to tracking and studying the majestic tigers that roam freely. Witness their tireless efforts as they employ innovative methods to understand the behaviour and monitor population trends of these elusive creatures. Delve deeper into the story as we unveil the cultural significance of tigers and their conservation efforts in the region. Witness the delicate balance of nature and the interconnectedness of diverse habitats, illustrating the importance of conservation efforts in maintaining biodiversity and ecological harmony. Join us on this unforgettable expedition with exclusive access, where science, technology, culture, and conservation intertwine to reveal the extraordinary world of tigers and their critical role in preserving the natural wonders of the Northeast Tiger National Park and Heilongjiang province, China.

Famous martial arts action film director, martial arts instructor, and actor Liu Jialiang. His father, Liu Zhan, was Huang Feihong’s disciple. Liu Jialiang has learned martial arts from his father since he was a child, with the mission of inheriting authentic martial arts. He has participated in more than 400 martial arts action films over the past 60 years and is a master of authentic martial arts films in the history of Chinese martial arts films.

In his third film on life and work in the (once) heavily wooded north of China, Yu Guangyi (Survival Song) follows the lonely San Liangzi (46), who for the past ten years has been in love with a woman who doesn’t like men much. Intimate and revealing, but never rude. A moving and human portrait of a group of unemployed and above all lonely men who stayed behind when their wives moved to the city looking for work. They worked in the timber industry in the province of Heilongjiang, but deforestation has taken its toll. For instance, we see 46-year-old San Liangzi. Twelve years ago, he divorced his wife and became unemployed. For 10 years, he has had an eye on Wang Meizi, the only unmarried woman in the area. But the love is not mutual.

Film about young drifters in Chonqing, China.

A documentary film showing the life of Niu Hongmiao, a 20-year-old country girl who is now a prostitute in Beijing. Around the time of wheat harvesting, she goes back home to Dingxing County, Hebei Province to visit her parents.

An educational documentary by Shanghai Science and Educational Film Studio about the surgery performed by Chen Zhongwei of replantating the severed right hand of a Chinese factory worker named Wang Cunbo in 1963.

Schaedler's film tells the fascinating story of Tibetan monk Gendun Choephel whose robes ultimately proved to be too constricting for his imagination and intellect. Born in 1903, Choephel left an indelible mark on Tibetan culture and became an icon for young Tibetans today. Because of his political views he was persecuted by the Tibetan government and died a broken man in 1951. The film follows in the footsteps of the rebel monk whose intellect challenged the ancient traditions of old Tibet. Journeying through Tibet and India, “Angry Monk” provides a vivid picture of Tibet that is in refreshing contrast to its often idealized and esoteric image.

Amazing China is a documentary film edited and produced based on the six-episode documentary series "Brilliant China" broadcasted on China Central Television (CCTV). The film is a joint production of China Central Television and China Film Co., Ltd. It premiered on March 2, 2018, in major cinemas across the People's Republic of China. The documentary highlights the achievements of the Communist Party of China (CPC) led by General Secretary Xi Jinping since the 18th National Congress of the CPC in 2012.

Documentary about Chinese higher education: the pressure to get into state-sponsored schools, and the marketing of private colleges that may not provide the education they promise.

Yang Pingdao invents something poised delicately between fiction and documentary to capture crystallized moments in his family history, to recreate in cinematic form its emotional weight and variety, woven around the life and death of his grandmother, and the birth of his child.

The melody of the hymn echoes in the old streets and alleys of the city. This is strange in a country that regards religion as a spiritual opium. The small, messy street was full of old people, and they began to pray with the sound of the room on the street. On the roof, a simple cross gleamed in the sun. During the Cultural Revolution, Christianity was completely eradicated. In China's political environment, Christianity has always been regarded as an extremely reactionary and evil thing, and openly believing in God would bring prison sentences. After the reform and opening up, Christianity also resumed activities. Although the Three-Self Church under official control is orthodox, house churches that are not under official control have also emerged in various cities. This film documents the activities of a house church in Nanjing.

A film about Chinese underground filmmakers who were the first to express their truthful and realistic views on China from 1989 until today. It is also the first film to speak about the Chinese homosexual film scene. The documentary features Chinese intellectuals and directors such as Cui Zi’en, Jia Zhangke, Ju An Qi, Li Yu, Liu Bingjian, Liu Hao, Wang Xiaoshuai, Zhang Yuan.

The short animation attempts to express the world view of Buddhism. Buddhism is not spiritualism as commonly understood by people. In fact, Buddhism emphasizes illusion. All things that can be perceived and thought in the world are illusions, and only the self nature is the real noumenon.

Zhang Ming went back to hometown to visit his aunt.

This is a story about youth with music. It all happens at the Dandelion School, Beijing’s first middle school specifically established for the children of migrant workers. Every year when new pupils arrive, Ms. Yuan Xiaoyan, who has worked in the school choir for eight years, would choose a group of music-loving first-years with solid musical foundations to join the choir. A new group of children join the choir while those who have advanced to the second year have to discuss with their families their future choices. For choir members, their music career in middle school will eventually stop due to the pressure of high school entrance examinations and the inevitable parting. But along this journey accompanied by music, they have been savoring the joys and sorrows of their youth, burying them deep in their hearts, and transforming them into growth-promoting nutrients.

A record of the life of an old couple in winter in rural Sichuan

An 11-month-old girl is adopted in China by white parents. 21 years later, that same girl, who is already an adult, reports how her eyes have become witnesses of hatred in a country that insists on saying that they are not racist.

In 1959, a group of intellectual “Rightists” from colleges and universities in Shenyang, and criminals from prisons, arrived in the desolate area of western Liaoning Province. They wanted to build a railway here for a mine. Taking the fate of Yin Shaoyao, a lecturer at Liaoning University, as its focus, this film records this group’s experience of being labelled as rightists, of “Reform through Labour”, of being starved, and killed. Their personal files reveal the details of their transformation: their personalities encouraged them to betray each other, incriminating materials were put in their files, and their political lives were destroyed. Ideological reformation killed their spirit, while physical labour and hunger destroyed their bodies. The film also records how people who resisted were suppressed and what happened to people’s humanity in this most cruel of environments.

Haohao and Zhouzhou, two sisters aged five and eight, spend most of their days at an electronics market in Shenzhen. A year earlier, as new immigrants to the city, their parents opened a shop on the market’s ninth floor. The girls’ gaze turns the soulless world of electronics into a universe full of monsters and ghost stories that make life more magical.

Documentary commissioned by the Communist Party of China which argues that Nikita Khrushchev "lit the fire of nihilism" by criticizing predecessor Joseph Stalin in his 'On the Cult of Personality and Its Consequences' speech, weakening the image of cohesive socialism in the U.S.S.R.

When the pandemic broke out, the filmmaker began to document the outside world from her window. A public space, Blue House, was finally realised but made empty for an indefinite time.

A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.

An immigrant artist in Iowa retreats to frozen prairies, forests, and swamps, trying to find a meaningful story and escape from the anxieties of dislocation. Delivered as a film-letter to the protagonist’s little sister in rural China, the film considers his self-exile as well as mental health struggles that were too shameful to address back home.

Now in her seventies, Shao Yuzhen has been making first-person documentaries about her home village of Shaziying (Beijing) since her selection for the China Villagers Documentary Project in 2005. The farmer, now locally well-known as the villager filmmaker, chronicles "all the bits and pieces of our everyday lives, since they, too, are part of my family's and my fellow villagers' life experiences." (Shao). Imbued with a remarkable sense of openness, her work is a form of activist journalism which seeks to challenge prejudice against the peasant class in contemporary China. From the opening shots, we come to recognise the intimacy which Shao's camera immediately forms with each of her fellow villagers, making good on her declaration that "this film is for my village!".

In 1957, two hundred teachers, students, and cadres were labeled as "Rightists" for voicing criticism of the Communist Party and sent to the East Wind State Farm in southwest China. As part of China's disastrous Great Leap Forward, these inmates were forced to take part in ill-conceived deforestation, agricultural and industrial projects that led to wide-scale famine. Later they endured the Cultural Revolution when their camp was visited by large groups of "sent-down" youth from the cities. After 21 years of "remolding," the "Rightists" were finally "rehabilitated" in 1978 and allowed to leave in 1978. THE EAST WIND STATE FARM re-examines the tragic events of Chinese modern history during the height of Maoist rule. Director Hu Jie collects dozens of extensive interviews with both inmates and staff who served through three decades of the camp's existence.

An independent documentary focusing on the Dragon Pavilion in the city of Kaifeng, which served as the capital city of ancient China for six dynasties.

Storm Under the Sun is a documentary about one of the "political storms" by Mao Zedong that fell upon the intellectuals of China in the 50's. Centered around the Hu Feng Case, the documentary traces the synergy that generated such an event, Mao's personal involvement in every step, and various victims' reaction to and realizations following the humiliation and accusations.

The camera gazes at the crowd in Tiananmen Square. Accompanied by the music of Qigong exercises, the lives passing to and fro seem imbued with an immense weight.

Documentary giving a sense of the feelings and attitudes of the residents of Beijing.

A film written and directed by Bruno Monsaingeon. Drawing on archival performance footage and interviews, The Art of Violin evokes the vast panorama of the world of the violin in the 20th century and its most outstanding performers. It is hard to express the explosions of joy occasioned by the discovery of long sought-out but undreamed-of archives, such as some silent - and later resynchronised - film footage, or the few brief moments of Chausson's Poeme played by Ginette Neveu, the silent yet moving (in every sense of the word)images of Kreisler and Ysaye, the awe of a young Menuhin, the superb single camera shot of David Oistrakh performing the cadenza from Shostakovich's First Concerto. Contributions from Ivry Gitlis, Ida Haendel, Hilary Hahn, Laurent Korcia, Yehudi Menuhin, Itzhak Perlman, and Mstislav Rostropovich, Produced by Pierre-Olivier Bardet & Stephen Wright.

Yin Honqiang, a master carpenter from Jiangyin, has been working with wood for over 50 years. Along with his son and his grandson, they create handcrafted pieces of furniture of the highest level, what lead them to be one of the most important furniture makers in all of China. Take a seat is a close look at their way of working while keeping the tradition alive throughout generations.

Don't forget to have poetry when making a living. This is romance. Even if you live in a sheepfold, you have a holy smile like a baby. This is romance. Listening to folk songs from the workers' hometown at the construction site in Shenzhen is touching. Once the song stops, you become eager for it. This singing series is also called "Sharing Hometown" and “Lingering Songs". You see, the eyes of the singing workers are shining, because we are all close to the Buddha.

This story is about the group's marvellous life without money.The film tell this story from six points of view: the screenwriter, the recording, the photography, the art, the performer and the director.

A Yangtze Landscape utilizes a non-narrative style, setting off from the Yangtze's marine port Shanghai, filming all the way to the Yangtze River's source, Qinghai/Tibet - filming a total distance of thousands of kilometers. Experimental music and noise recorded live on scene are used in post-production, painstakingly paired with relatively independent visuals, creating a magically realistic atmosphere contrasted with people seeming to be 'decorative figures' right out of traditional Chinese landscape scrolls.

This film documents the 11th Beijing Independent Film Festival in 2014, from the preparations before the opening ceremony to the process of its forced cancellation, the event which spurred the Cinema on the Edge series. The footage used for the film was captured by audience members, local artists, invited directors and special guests, festival volunteers and workers, as well as journalists and members of the media. It is a film produced by the collective.

Filmmaker and activist He Xiaopei’s first feature-length documentary commences with an attempt at reconciliation with her mother, before taking the audience on a journey from the 1920s through to the 2020s. With a raw, DIY aesthetic, the film brings to life the experiences of three generations of Chinese women – He’s mother, herself, and her daughter – as they come to terms with political and social change. Combining interview, video essay, and home movie formats, the film offers a refreshingly irreverent perspective on historical experiences, while wryly documenting the potential of lesbian and polyamorous lifestyles to challenge established ideas of feminine propriety. Through intimate conversations, Bad Women of China demonstrates how women are unconsciously led to belittle their own desires, experiences and hopes.

Documentary following Pai Gu, a junior high school graduate from Jiangxi Province. He sells pirated DVDs of "artistic films" in Shenzhen to make a living.

Gulu is a village of Yi people, located beyond the cliff's edge in Sichuan, China, there is no electricity. The villagers used the lianas and Heaven-Ladders to climb up and down the cliffs like a monkey. They had hardly contact with the outside world until a mule-horse-trail out of the rocks in 2004. The substitute teacher Shen is the only teacher in the Gulu Primary School and has worked over 20 years. Shen would really like to become a real teacher, but he has just a middle school education. One day, the young man Bao who called himself 'Don Quixote' came to Gulu because of the lianas and Heaven-Ladders. He felt, Gulu was just his utopia. Since then Shen's fate has changed dramatically.

Clearly, the comfort woman controversy is far from resolved - and that explains why Zhongyi Ban has now completed his third documentary on the subject. "Give Me the Sun" introduces us to a group of seven aging Chinese women whose bodies and minds were irrevocably scarred by the unspeakable brutality inflicted on them during World War II, when they were being gang-raped for months until their families ransomed them. Some were lured into sexual slavery by locals working for the Japanese Army, who promised them work in factories or hospitals; others were simply abducted and enslaved in the nearest comfort stations. Chinese scholars have estimated that close to 100,000 women were forcibly taken from their homes during the war, although lack of official documentation has made it difficult for historians to reach an agreement on the exact figure.

Scenes depicting China's varied cultures and landscapes are presented in Circle-Vision 360°.

For most Chinese, the name "Xuan Zang" is very strange. People are familiar with the Tang monk in "Journey to the West". "Journey to the West" is a classic in the history of Chinese literature, and its power is beyond doubt. Since the creation of "Journey to the West" by Wu Chengen in the Ming Dynasty, a soft and weak Tang monk image has been deeply etched in the hearts of Chinese people. When people talked about Sun Wukong, Xuan Zang's prototype was distorted and misunderstood. For centuries, the real Xuanzang went farther and farther away from the sight of the Chinese, leaving only a blurred silhouette.

A dreamy journey along the corridor of Chinese history spanning more than 5,000 years, a wonderful encounter with ancient cultural relics and splendid civilization, and a shocking trip to taste the colorful Chinese culture. On the occasion of the 60th anniversary of the establishment of diplomatic relations between China and France and the China-France Year of Culture and Tourism, French host Olivier traveled 8,000 kilometers from France to China, co-produced by China and France, and used 8K ultra-high-definition images to start a journey to experience the magical China.

The director's grandfather is a blind fortune teller and his father a real-estate owner. They have grievances against each other for dismantling the old house. Grandfather thinks it's time for him to leave and asks Father to quit his job. At the same time, an accident happens at Father's construction site. They are entangled in dealing with the hatred from the past and the kinship that has always existed.

This is a documentary on "Tai-ke" male-bonding, and a story about the lost and found of life. The director uses black humor in depicting the lives and encounters of each person through out a period of ten years.

Four Springs is a documentary film that presented a family's daily life in the remote town of Dushan in the Guizhou province in southwest China. From a subjective angle, the camera induced the flow of life out of the screen: the quotidian toils, singing, excursions in nature, visits among friends and extended families, funerals, reunions and departures. It presented the state of being of the two main characters, the director's own parents, and their attitude when facing irretrievable loss in life.

A song is heard in the distance. It comes from the Hekeng village, famous for its ancient earthen buildings, also called tulou. It is where the last original Hakka families live amidst the exodus of those looking for a more modern environment. Among them there is Zhang Zhouyin, an elderly man concerned about the state of the village's temple; or her daughter-in-law, Wei Yi, who spends her entire day guiding tourists through these awe-inspiring houses. And then there’s young Zhang Weibo, her son, who manages to find joy even in the simplest of things... Hekeng: a place frozen in time whose songs have endured for centuries.

Newsreel of the trail for gang of four.

A group of documentary filmmakers and independent reporters accidentally find out something Hong Kongers do not know, but which affects them in important ways. They investigate the matter using their cameras, and as they approach the truth, danger beckons.