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Just Ask for Diamond

Thirteen-year-old Nick and his slightly dense older brother Herbert run the Diamond Private Detective Agency above Camden Town Tube Station in north-central London. When a master criminal called The Falcon dies, they come into possession of his box of chocolate Maltesers, which contains the secret key to a fabulous cache of diamonds. Can they unravel the mystery and avoid the clutches of seedy lowlifes Brenda Von Falkenberg, Gott and Himmell, The Fat Man and the dogmatic Chief Inspector Snape, all of whom want to find the swag first.

Just Ask for Diamond

5.6 1988
Funny Money

In Las Vegas young Barty Nicholls inadvertently steals a fortune from the Mob and is slashed to death by a limping hood. Later his girlfriend Cass arrives in London with a stack of stolen credit cards looking for Ben Turtle, famed as a credit card king who she needs as a partner in her credit card swindles. Thrown out of a West End hotel for stealing cards, the pair are soon muscled back in by two heavy Minders to sexually perform at a Mob party in front of Mr. Big. Ben and Cass check out with suit cases of Mafia cash then the real funny money begins to flow and the chase is on.

Funny Money

7.0 1982
The Girl Hunters

Mickey Spillane plays his own creation, street-thug-turned-PI Mike Hammer, in this 1963 adaptation of his novel. The film opens with Hammer on the downside of a years-long bender, scooped out of the gutter by a bitter cop intent on prying information from a dying man. Inspired to clean up his act by the secrets he hears, Hammer hits the streets on a personal crusade to find the love of his life. Future Bond girl Shirley Eaton costars as a glamorous society widow who goes slumming with Hammer.--Sean Axmaker

The Girl Hunters

5.7 1963
ID2: Shadwell Army

A young British Asian, Mo is a fast-rising police officer who goes under cover infiltrating Shadwell's resurgent hooligan element, who are fired up by Shadwells's takeover by a Russian oligarch and their unlikely adventure into European competition. Mo quickly becomes embroiled in the local schism between the BNP and EDL and plans to build a new mosque in the shadow of the Shadwell ground creates an explosive environment in which football and political violence form a perfect storm of social unrest.

ID2: Shadwell Army

5.0 2016
Easy Money

A win on the football pools in postwar Britain changes lives. A happy family is turned into an unhappy argumentative lot until it is discovered the coupon apparently didn't get posted. A mild-mannered clerk worries about how to tell his overbearing boss he is quitting. A double-bass player finds life without the orchestra lacks something. The lure of the big money even turns some people into criminals, as when a coupon checker is tempted by his night-club singer girlfriend to cheat the company. Written by Jeremy Perkins

Easy Money

6.1 1948
The Sleeper

Violet Moon wants to be in control of the circumstances and people in her life. Particularly her son and daughter-in-law who she discovers are considering selling the farm where she has known some of the happiest times of her life. Violet's control is not only threatened by their decision, but also by the sudden reappearance of someone from her past whom she meets at a local spiritualists club. Someone who has the potential to resurrect a long buried secret as well expose her current plot to put a stop to the sale of the farm. When Violet takes the opportunity to silence this person, she doesn't consider that enemies have friends...

The Sleeper

6.5 2000
The Sex Victims

A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)

The Sex Victims

5.0 1973