"As the COPPER who comes a CROPPER!"
Norman Pitkin wants to be a policeman like his father was, but he fails the height test (amongst others). One day he gets out his father's old uniform and "walks the beat". This leads to a level of chaos that only Pitkin could cause
Norman Wisdom
Norman Pitkin / Giulio Napolitani
Jennifer Jayne
Rosanna Guardia
Raymond Huntley
Sir Ronald Ackroyd
David Lodge
Inspector Cecil Hobson
Esma Cannon
Mrs. Timms
Eric Barker
Police Doctor
Eleanor Summerfield
Sergeant Lucilla Wilkins
Ronnie Stevens
Oberon
Terence Alexander
Chief Superintendent Bert Belcher
Norman Pitkin wants to be a policeman like his father was, but he fails the height test (amongst others). One day he gets out his father's old uniform and "walks the beat". This leads to a level of chaos that only Pitkin could cause
Sometimes I forget just how charismatic and talented Norman Wisdom was. I was never a fan of slapstick humour, but somehow he always manages to inject the tiniest elements of class - even sophistication - into his performances. Here, he delivers one of his better and harder-working efforts as "Pitkin"; son of a decorated police officer who, it had been deemed, is too short to serve in the constabulary himself - so he gets a job cleaning their cars! Now cue for a fun water fight; the Commissioner gets soaked and he gets fired. Luckily for him, though, the police are under huge pressure to apprehend a jewel thief whom they think is masquerading as an high-end hairdresser. Guess what? "Neopolitani" is the spitting image of "Pitkin" and so back he is drafted to infiltrate the salon and hopefully bring down this criminal kingpin. This benefits strongly from an established cast of film and theatre actors who are no strangers to comedy: Terence Alexander, the scene-stealing Esme Cannon, David Lodge and Raymond Huntley (whom I could swear I saw struggling to contain his smiles at times). "Pitkin" even manages to find himself a little love interest in "Rosanna" (Jennifer Jayne) and, of course, there's not the merest doubt that Scotland Yard will get their man. It's a bit too long, and there is a decent smidgeon of stereotyping going on - but I think it fair to remember it's all pretty harmless and representative of British humour in the early 1960s and taken in that spirit is a good example of a star leading an enjoyable enough ensemble effort on a trail of mischief and mayhem.
A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.
High society sleuths Nick and Nora Charles run into a variety of shady characters while investigating a race-track murder.
Not even the joys of parenthood can stop married sleuths Nick and Nora Charles from investigating a murder on a Long Island estate.
Broke and depressed, Ray is mistaken for a dangerous hitman and given an envelope of cash. Along with his P.I. friend Skip, he must escape the actual hitman to make it out of LaRoy alive.
Society sleuths Nick and Nora Charles investigate a murder in a jazz club.
As a result of a misdiagnosis, Detective Burt Simpson is told he has just weeks to live. He gains a new respect for his life and loved ones but learns that in order for his wife, Carolyn, and son, Dougie, to collect any insurance money, he must be killed in the line of duty. He then becomes the most reckless man on the police force, volunteering for dangerous assignments over the objections of his by-the-book partner.
When an upwardly mobile couple find themselves unemployed and in debt, they turn to armed robbery in desperation.
Nutbourne College, an old established, all-boys, boarding school is told that another school is to be billeted with due to wartime restrictions. The shock is that it's an all-girls school that has been sent. The two head teachers are soon battling for the upper hand with each other and the Ministry. But a crisis (or two) forces them to work together.
Charles Dreyfus, who has finally cracked over inspector Clouseau's antics, escapes from a mental institution and launches an elaborate plan to get rid of Clouseau once and for all.
A drug sniffing agent canine is a target for an assassin boss so the FBI calls Witness Protection to send him somewhere else. Meanwhile a single Mom puts her 6 year old boy James in the care of her irresponsible, mailman, neighbor, Gordon, when the babysitter bails on her. Meanwhile, an assassin mob boss hires 2 goons to kill Agent 11. But when 11 escapes from the van when they tried to kill him, he hides in Gordon's Mailtruck that James is in too. And guess what they name him. Spot.