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Lawless Street

The film takes on Ali, a member of a wealthy family, and his shared infatuation with a night club worker by the name of Tülay. Ali and Tülay want to get married. Though Ali’s father disapproves of the union at first, he eventually gives in. But the owner of the night club that Tülay works at, Ejdar Hasan, also has his eye on her. Hasan proposes a large sum of money to Tülay as a measure to convince her not to get married to Ali. When Ali’s father ups the offer, Hasan resorts to other plans. The day of the marriage, Hasan and his men cut off the wedding motorcade. In the conflict that arises, Ali’s father is killed. In retaliation, Ali kills a few of Hasan’s men, and lands himself in prison. During the transfer from the courthouse to prison, Ali escapes in order to exact his revenge

Lawless Street

7.5 1971
Crime of the Century

In 1932, the nation was shocked when the 14-month-old son of Charles Lindbergh was kidnapped, held for ransom, and murdered. Two years later, Bruno Richard Hauptmann was arrested, convicted, and executed. This film dramatizes the investigation against Hauptmann, the trial, and the execution, painting a picture of a corrupt police force under pressure to finger a killer framing an innocent man by manufacturing evidence, paying-off and blackmailing witnesses, and covering up exculpatory evidence.

Crime of the Century

6.8 1996
The Manor

The Manor, a dark funny version of Akira Kurosawa's " Rashomon". During a snowstorm, Patrick Roarke, a manservant, is found dead at the bottom of the main staircase in a gothic English mansion. Inspector Hatcher is sent to investigate the death. When he arrives, he finds a household consisting of five women. When questioned by the inspector, each of the women tells a different story, all of which are illustrated by flashback scenes showing the events as related by that particular person. Everybody seems to protect somebody and the inspector becomes increasingly intoxicated as he tries to untangle the web of lies in his endeavour to find out the truth.

The Manor

6.5 1999
Man Wanted

Undercover cop Lok Hwa takes two years to become the trusted lieutenant of rising Hong Kong drug lord, Feng. The night of the big bust, Feng's flaming car crashes spectacularly into the sea; Feng is presumed dead. Hwa returns to the force and to June, his patient girl friend. Also, to save Feng's lover Yung from a life of crime, Hwa gives her his pager number and promises to be there for her. A year later, Feng reappears, asking Hwa's aid with one last task before he returns to the mainland forever. Feeling sentimental, Hwa agrees to help and finds himself set up to take the fall in a drug war. June is in danger, too, and death awaits as Yung realizes it's Hwa she loves.

Man Wanted

5.8 1995
TRUST

The future is just a little more technologically advanced than today. People spend more time in the metaverse, and the number of cyber crimes has increased. In order to improve the efficiency of crime control, the operators of the metaverse have begun to give AI the authority to act as investigators. One day, Violet, an AI investigator specializing in interviews, is assigned to interrogate a girl named Mia. At first, Mia is uncooperative with Violet, but her attitude changes when she hears Violet's name. When Mia hears Violet's name, her attitude changes. What is Mia's revelation, and what is the "truth" that Violet has discovered in the closed interrogation room? A neo-noir suspense with a new visual sensation.

TRUST

NR 2025
Women in Prison

Nicole (Agnes Soral) is sent up the river for infanticide in this routine woman-in-prison feature. There she meets Marthe (Annie Girardot), a fellow murderess who receives special treatment from the warden Dessombes (Marie-Christine Barrault). The warden frames Nelly (Bernadette Lafont) for drug possession and has her thrown into solitary confinement. Sabien (Corinne Touzet) is a newcomer convicted of armed robbery who latches on to the lesbian Lucie (Milva), a longtime prisoner slated for release.

Women in Prison

4.2 1988
The Angry Street

University students Sudo and Mori make money by picking up rich girls in dance clubs and conning them into giving them cash. Mori is the brains of the operation, and Sudo is the suave dancer who picks up the girls. Sudo becomes gradually involved with three different girls and is drawn into the gangster milieu, which he seems unable to resist even though he is responsible for his mother, grandmother, and sister Masako. In this world of bad boys and girls, Masako is the pillar of strength and moral virtue who finally enables Mori to straighten out.

The Angry Street

6.7 1950