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Partisan

On the edge of a crumbling city, 11-year-old Alexander lives in a sequestered commune alongside other children, their mothers, and charismatic leader, Gregori. Gregori teaches the children how to raise livestock, grow vegetables, work as a community - and how to kill. With the birth of a new baby brother weighing on his mind, Alexander begins to question Gregori’s overpowering influence on the children and their training to become assassins. Threatened by his increasing unwillingness to fall in line, Gregori’s behavior turns erratic and adversarial toward the child he once considered a son. With the two set dangerously at odds and the commune’s way of life disintegrating, the residents fear a violent resolution is at hand.

Partisan

6.1 2015
Isabelle Eberhardt

The true story of explorer, journalist and writer Isabelle Eberhardt, originally from Switzerland. She moved to Annaba in Algeria in 1897 with her mother, who preferred to live in the Algerian neighborhoods rather than the European neighborhoods that she hated, and converted to Islam. Her lifestyle shocked the French colonialists: she dressed like a man, frequented cafes and smoke shops. Fascinated by the desert, she traveled the Sahara under the identity of Si Mahmoud, she published articles and books on the world she discovered in southern Algeria, strongly criticizing the colonial authorities. Arriving in El Oued, the soldiers prevent him from continuing his journey. She disobeys and overhears officers shooting Arab prisoners. Arrested, she was accused of espionage and was expelled from Algeria. She married Slimane, a Muslim non-commissioned officer in 1901. Having become French through this marriage, she could now reside in Algeria.

Isabelle Eberhardt

5.0 1991
Jessica

The Bergman sisters could not be more different. Jessica is a feisty tomboy who loves to help her father work their farmland. Her beautiful sister Meg is eagerly being groomed by her mother Hester (Lisa Harrow) to be the perfect wife, so that she can marry her way out of poverty. However, when the man, Jack Thomas, who Meg has set her sights on falls in love with Jessica and gets her pregnant, Hester schemes to wrench the couple apart to claim Jessica's son, Joey for Meg. Later she commits Jessica to a mental asylum. It is here that Jessica receives news of her lover's death and almost loses hope, but after enlisting the help of Mr. Runche, a down and out lawyer battling alcoholism, she is eventually released. Years later, it is the reformed Runche who gives Jessica the courage to fight for the return of her child. Eventually Meg and Hester call an uneasy truce with Jessica, and allow her to play a role in Joey's life as his aunt.

Jessica

7.0 2004
Kick

A champion high school rugby player has a secret desire to be a ballet dancer, having spent 11 years in ballet school. Seizing an opportunity to audition for a local company's presentation of "Romeo and Juliet", he nonetheless fears what will happen to his reputation if the other kids in his school find out. Adding the practices to his already burgeoning schedule quickly starts to create problems with his friends, his teachers, his coach, his play director, and his ballet partner. Of course, it all comes together on the stage of the Sydney Opera House.

Kick

3.7 1999
The Black Balloon

Thomas is turning 16. His dad's in the army and they've just moved to a town in New South Wales; his mom is pregnant; his older brother, Charlie, who's autistic, has his own adolescent sexual issues. Thomas finds Charlie an embarrassment in public, so when Thomas is attracted to Jackie, a girl in his swim class, Charlie presents any number of obstacles when she drops by their house, when the three of them go for a walk, and during a family birthday dinner. Can Thomas find a way to enter the world of teen romance and still be his brother's keeper, or is Charlie's disability going to prove more than Thomas can handle?

The Black Balloon

6.4 2008
Sacris Pulso

Sacris Pulso departs from the dismemberment of another film, "Brasiliários". This film is an interpretation of Clarice Lispector's chronic "Brasília", her vision of the modernist capital, as it is the film which marks the encounter of my mother, playing Lispector, and my father, composer of the film's sound score. Through the juxtaposition of "Brasiliários" with a series of reassembled found footage, the film takes the form of a voyage of remembrance and imagination, of a past and future time dreamt between personal and collected materials, between memory and fiction.

Sacris Pulso

NR 2008