Confirmation
Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.
Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.
Richard Miller
The Boy
Sheryl Sciro
The Mother
Bob Hughes
The Father
Luda Redding
Virgin Mary
David Calcott
Bishop
Jenny Dibley
Nun #1
Sue Rutherford
Nun #2
Ann Morgan
Nun #3
Virginia Vagg
Nun #4
Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.
In the midst of interviewing the man behind the pioneering queer classic: Adam(1975), it was made to my attention that former actor and director (Paul Bugden) ventured further into directing then what the internet presumed otherwise. As I finally laid my hands on a personal copy of Adam, Paul gifts me a VHS rip of his followup short film, simply titled: Confirmation. To my shock, this film is actually a prequel to Adam. Part of an intended trilogy that was never completed. Confirmation centers on our titular protagonist of the series as a young boy going through his Confirmation Ceremony whilst wondering into imaginative scenarios picturing him as an ideal "Solider of Christ". The thematic juxtaposition of Catholicism is quite the intentional deviation from Bugden's overtly gay explorations found in his previous film. But it is an amusing fact that lingers. Especially knowing that this young boy of faith you're watching canonically turns out to be gay once reaching adulthood. It's plot is more abstract in its storytelling when compared to its predecessor. Many interspersed sequences can feel a little drawn out and repetitive. But atmosphere and memorable visuals do redeem the overall viewing experience. David Perry's cinematography is quite the step up from Adam even though Adam itself was visually striking it its own right. There are shots in this film that could come straight out of Twin Peaks. Especially the dinner scenes that displays a sparsely furnished hall. Complete with a gothic interior and accompanied by an oddly placed checkered floor. It's a notable sight that's in this uncanny zone between reality and the surreal. Amongst the striking visuals and experimental narrative, is a very thoughtful inclusion of indigenous actors. Aboriginal representation in media at this time was far few in-between. Whilst Confirmation may place such a cast in the roles of primitive tribal natives, it does give enough screen time to elevate their presence beyond problematic stereotypes. It should also be addressed that these depictions have a satirical undertone to it all. Aiming to showcase the subtle absurdity behind these crusade visions that Catholicism aims to impose on its followers. Not a philosophy that is intended to be endorsed by the film. Overall, it is definitely a good follow-up to Bugden's incredible directorial debut. But just shy off matching it. It quite the shame to see that this is actually the last of Bugden's directorial efforts. What could have been with the right support, funding and times on his side. Nonetheless, I think it's still a blessing to even get these two great films at all. In a time where oppression prevailed, it's still inspiring to know that one gay man dared to show his queer life on the big screen.
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20 men are chosen to participate in the roles of guards and prisoners in a psychological study that ultimately spirals out of control.
Vincent, an artist with unresolved inner demons, meets a mysterious girl who helps him come to terms with his creative legacy… and eventual death.
By God's order, Abraham was commanded to sacrifice his son Isaac on the mountain of Moriah. While traveling to the place of the sacrifice, alongside Isaac and two servants, Abraham is flooded with vivid memories from the years he and Sarah spent longing for the son they were promised—the son he must now lay upon the altar.
The year is 1955, and a great flood is coming to Northfork, Montana. A new hydroelectric dam is about to be installed in the mountains above the town, ready to submerge the valley in the name of progress. It is the responsibility of a six-man Evacuation Committee to relocate the townsfolk to higher ground. Most have duly departed, but a few stubborn stragglers remain – among them a priest caring for a sickly orphan, a boy whose fevered visions are leading him to believe he is a member of a roaming band of lost angels desperately searching for a way home.
After he refuses to disavow his faith, a devout Christian student must prove the existence of God or else his college philosophy professor will fail him.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
Returning war veteran SFC Travis Fox has one more battle to fight – PTSD. Following an improvised explosive device attack that killed his best friend and their entire Ranger platoon, Travis returns to his hometown to settle the mysterious affairs of his late parents. In searching for answers, he uncovers a new obstacle and finds support from church counselor Tiffany Robertson. Slowly beginning to rediscover his faith in God, Travis uncovers a secret hidden by his friend Donnie that threatens his newfound faith, restores his guilt, and causes him to consider the unthinkable.
On Christmas Eve, a fighter pilot on his way home becomes lost while flying over water and needs a miracle to land safely.