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Tell It Like A Woman comprises of seven segments that are directed by female directors from different parts of the world and shot in Italy, India, Japan, and the U.S. Each segment is an inspirational and empowering story about women, by women, for everyone.

A young French, Vignerte, is hired in the court of Lautenberg, an imaginary land, as the young Prince's private teacher and as the Grand Duchess' reader.

A Frenchman finds his runaway wife on an island in the Pacific.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.

Awa, a Cameroonian snow groomer operator, assists a determined young migrant in crossing the border between Italy and France. As their journey unfolds, a poignant tale of redemption emerges amidst a canvas of snow and concealed truths.

A middle-aged theater director is about to stage a play from Dostoevskji's unfinished novel. He lives in a large house similar to a maze that hides a secret. Attracted to young women, he has had many in his life, but he has loved very few and to these few, he dedicates a constant and mysterious cult.

The time is the late 1920s, and Angelo and Tonino are two brothers traveling around the country in a rattle-trap truck, showing moving pictures to any group of people willing to pay. When they arrive in the region of Emilia-Romagna, Angelo strikes up a relationship with a wealthy marchesa connected to the fascist movement. Tonino, on the other hand, starts to follow the rebellious Giovanni, locked up for his anti-fascist stance, and the farmers who have joined in the anti-fascist forces. As the rebels are either murdered or put in prison, Tonino becomes more and more commited to their cause - especially after Giovanni is killed. When a silent movie on the condemned and dying Christ is shown on the brothers' screen, Tonino stops the action to project some slides he has taken that show who murdered Giovanni - in an action that calls for his brother and the rest of the bystanders to finally make a decision on where to place their loyalties.

Directed by Febo Mari.

Early one morning, in an unspecified and seemingly far off time, a 12 year old boy, together with some friends, is searching a thick forest for objects of value. There is a lot of fog. The boy goes off by himself to another part of the wood and stands admiring an antique object he has found at the foot of a tree. His happy expression turns to one of curiosity as he is distracted by some high pitched cries which come and go intermittently.

One family’s life goes haywire at the start of the pandemic as the matriarch—now without her steady housekeeper income—encounters a new kind of fame and celebrity when she begins teaching cooking lessons over the internet.

Isabel and Clara are growing up in a time of terror. It is 1492, and Spain has decreed that all Jews must either convert to Catholicism, go into exile or face trial and execution. Although forcibly baptized, the sisters are chased through Christendom until they arrive in Venice. It is in this great maritime empire, where opulence rhymes with tolerance, that Isabel organizes secret passages for refugees fleeing the Inquisition while Clara falls in love with a Venetian noble, Paolo Zane. Isabel intends for her family to go to Istanbul, the only place where Jews can live freely, but Clara is reluctant to leave. She challenges Isabel's authority and is prepared to break her family ties and sacrifice her faith for love. Caught in this battle of wills is Clara's daughter, Victoria, who finds she is about to be married into the same faith that murdered her father.

Rome, Esquilino, summer. Rossella returns to Rome after years of absence and returns to her home, rented to her friend Salvatore, the set designer. The woman is gripped by an evident depression and wanders around the city that she does not recognize and that no longer recognizes her. People have changed and Rossella finds no one capable of answering the obsessive question that has plagued her for some time: "How can I disappear?"

Lyria, a faded beauty who runs a seedy waterfront bar, is madly in love with Bob, a crooked attorney. Bob can't bring himself to confess his love for Minnie, the pretty daughter of Simon, a safe cracker. In order to run away with her, Bob, one of the masterminds of a big-time robbery, betrays his friends. But Lyria, who has found out what is happening, makes Minnie fall into a deadly trap.

A staged concert featuring the music of Dmitri Shostakovich, with Roberto Prosseda at the piano. Seven male performers share a space and a moment in time with the pianist, amidst the constant, unstoppable flux of becoming.

Bonifacio is 27 years old and he is roaming about Venice. He is trying to decide whether to accept a job or not. In so doing, he recalls all his past life: his love story with Gabriella, his old friend Claudio, who had always regarded working as a worthwhile thing, the war, the partisans.

When her social-climbing father is relocated from a one-horse town to his native Rome, 12-year-old Caterina enrolls in his old school, finding herself adrift in an environment where eighth-graders form friendships based on social class and their parents' political affiliations.

A mob accountant accepts to be witness for the prosecution at a trial involving Mafia higher-ups. Seven cops are tasked with escorting him and his family alive from Sicily to the courtroom in the North, but it won't be easy.

Il Tempo Dell'Amore (A Time to Love) is an omnibus film of three different love stories that take place in three different eras and locations. The common element is the theme: love causes a lot of pain.

In Genoa, amongst the underclass living on the fringes of the law, Machedi organises the trafficking of women, to be exploited and sent off to who knows where. One of these women is Alda, who has evaded the ring once, but when her boyfriend is arrested, finds herself back in Machedi's net.

1918, shortly before the end of the Great War, an Austrian soldier passes the barrier of the Italian lines and escapes. He is very young, alone, scared. During his journey in that enemy land, so similar to his own, the thoughts of the terrible experience on the front alternate with childhood memories. Along the way, death takes him and puts him back into the flow of nature, to which he has always felt he belonged.

An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in -- large and small, young and old, regulars and tourists, married and single -- to dine, converse, argue, celebrate, make confessions; to overhear other people's discussions, to interrupt them, to sing, listen to music, and enjoy life.

Back from the hospital where he has been treated after a heart attack, Lorenzo is on his way upstairs to his top-floor apartment in Naples when he meets Michela. The charming young woman, who has just moved to the facing apartment, has forgotten her keys and finds herself locked out. Cynical and grumpy, the retired lawyer who has been living estranged from the rest of the world, should normally leave her to her fate but he mellows under her spontaneous charm. He helps her, becomes friends not only with her but with her husband Fabio and their two children. For once, the self-declared misanthropist seems to be experiencing the long forgotten feeling of empathy.

A failed porn actor, working as an enforcer for a mafia kingpin, finds himself confronted with an all-out turf war after an errand goes drastically wrong. Going on the run is his only option.

During the civil war in Cyprus, an island nation split between the Greeks and the Turks, a British peacekeeping officer is trying to prevent a Greek guerrilla fighter from escalating the violent situation even further.

While desperately looking for a change, the 40yo Anna - a bored housewife - decides to start gambling. Luck is not on her side though: she loses everything she had, she's almost broke. Caught up by a moment of madness, she steals her daughter’s lifetime savings. She even pawns her own car - , she’s willing to do anything to try to win… Her only wish is for her lotto number to be the winning one… She tries, and tries, and tries… Till the day when that lotto number gets drawn - is it the truth or has the gambling driven her crazy and she can’t distinguish between reality and a dream anymore?

A pianist is torn between her quartet's cellist and an exotic Indian maharajah she meets on tour with the troupe. The maharajah, however, has trouble forgetting his dead former love.

Loosely based on real events that took place during Matteo Messina Denaro's thirty years on the run. A disgraced politician is gifted a second chance when secret services involve him in an operation to root out an elusive Mafia boss. Using his personal connection as the Boss' godfather, his task is to get him to reveal his hiding place in their secret letters.

In Naples, during World War II, Amalia Jovine, in order to survive, smuggles food and coffee in her crowded and dilapidated basement, in partnership with Settebellizze. Her husband Gennaro disapproves, but does not prevent Amalia from continuing her trafficking...

In 1919, at the end of the Great War, Don Giovanni Minzoni returns to his parish in Argenta, in the province of Ferrara, wants to reorganize the social and cultural life of the community and tries to bring the rural children together into the old recreation center. The socialists, led by Natale Gaiba, the city councilor, openly show their disdain for Don Minzoni and his Church. After some time, anyhow, the relations with the socialists seem to begin, starting a relationship based on understanding and collaboration. At the same time another political force, modern and unexpected, makes its entrance into history and into the small village of Argenta. Fascism is taking hold in the cities and in the countryside throughout Italy, and even in Argenta the first riots and attacks begin…

A home-schooled girl begins to question her domineering mother's teachings when their beliefs face the ultimate test.

Phillipe and Esther live an apparently idyllic life with their daughter, Elise. In an attempt to preserve this bliss, Phillipe decides that he and Esther should each have affairs, being sure to tell each other openly about them. The plan backfires with tragic results as Phillipe becomes engulfed in jealously.

Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.

Thomas is stuck in his "Panda Young" (a car) on the side of the road. Waiting for his sister's rescue, the boy will start a journey discovering the car, his past and himself, finally facing pain and memory that will force him to confront the truth.

Mary is a 12-year-old girl with a passion for cooking, absorbing information from her grandmother, who is a wonderful cook. However, Mary and her family must come to terms with her grandmother's illness.

Alberto Saporito spent a very eventful night. His friend Aniello Amitrano was brutally killed and his body was hidden by his neighbors, the Cimmarutas. But he can't remember if it was just a dream or if he actually lived it. That's why he shows up early to the police to file a complaint. However, he doesn't know that his gesture will be the fuse that will cause chaos to explode. Just like his uncle Nicola does with his firecrackers. The uncle has in fact decided to stop talking, because the degradation in which humanity finds itself repels him, and is expressed only through his pyrotechnic language.

As the son of two inmates Hyacinth was always more at home in prison than in the outside world, until he took part in a foot race that promised to change his life.

A 1966 biopic of Francis of Assisi presents him as a troubled rebel and champion of radical brotherhood, reflecting the spirit of 1968 student protests. Praised and condemned, the film sparked controversy for its bold, dissenting portrayal of faith.

A young man journeys from a difficult childhood to maturity, exploring social injustice, personal development, and the complexities of human relationships.

A strange love story between a devoted young nun and a young Marxist determined to help run the hospital wards where the nun is the head nurse.

In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.

Vito Polara is ambitious and wants to get as more power and money as possible. He decides to leave the cigarette smuggling and try to get the total control of the regional fruit and vegetable distribution considered more profitable. He looks for the help of a rural crime Boss.

This loose adaptation of the Victor Hugo classic shifts the story to Italy and back in time, with the deformed protagonist meeting Lucrezia Borgia instead of Queen Anne. Also, Gwynplaine is renamed Angelo (Jean Sorel) with his disfigurement represented by a single broad slash across his mouth, crude yet convincing. The story (not credited to Hugo) is a swashbuckler pitting the disfigured acrobat against the henchmen of the Borgias.

Vito and Carla have been separated for a long time, they have three children and used to love each other deeply before their love went sour. Now Vito has a new life and Carla has a partner. At a time when everyone feels tragedy can be avoided, fate is on their other side. One night, Vito disappeared. From that day on, no one ever heard from him again. His disappearance triggered an investigation involving all those involved. But is there really an irrefutable truth in these cases?

An alternative presentation of the Dior Autumn-Winter 2020 Haute Couture Collection.

Each year Lucia volunteers at a Summer Camp in Sicily. This summer however, will be the hottest on record, not just because of the crazy weather, but also because of Nicola, the new soon-to-be-priest deacon who, besides being extremely handsome, hides a tormented and idealistic soul. His arrival sows panic in this seaside community, upsetting Lucia's plans forever.

I figli non si vendono (literally, Children must not be sold) is a 1952 Italian melodrama film by Mario Bonnard

Young Betty Pellegrino (Orla Conforti) is a strong-minded 13-year-old, left on her own to deal with life in the poorer districts of an industrialized Turin. Street life alternates with bouts in the reformatory, and Betty's prospects for a decent life seem fairly dim in spite of her consistently ready wit and ability to take whatever life hands out. Then she meets a social worker willing to add Betty to her already heavy case load. Maybe there is some hope after all, as two against the world double Betty's odds.

A short film by Mario Bava about the representation of music, the very language of the soul.