I figli non si vendono
I figli non si vendono (literally, Children must not be sold) is a 1952 Italian melodrama film by Mario Bonnard
I figli non si vendono (literally, Children must not be sold) is a 1952 Italian melodrama film by Mario Bonnard
Lea Padovani
Anna
Jacques Sernas
Carlo Dazzeni /Roberto Dazzeni
Maria Grazia Francia
Luisa
Paola Barbara
Elena Dazzeni
Antonella Lualdi
Daniela
Checco Durante
Paolo Dazzeni
Dario Michaelis
Gianni
Nora Visconti
Mauro Maiorani
Il bambino
I figli non si vendono (literally, Children must not be sold) is a 1952 Italian melodrama film by Mario Bonnard
Matteo Scuro is a retired Sicilian bureaucrat, a widower with five children, all of whom live on the mainland and hold responsible jobs. He decides to surprise each with a visit and finds none as he imagined.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
Struggling with a financial crisis, a good-looking widow decides to put herself up for grabs. However, going through with it becomes almost impossible with a new love and the legal system thrown into the mix.
In New York City, a young girl is caught in the middle of her parents' bitter custody battle.
In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.
Michele Casali is a middle-class professor in Fascist Italy who teaches at the same high school attended by his only daughter, Giovanna. A shy and sensitive girl, her insecurities are only magnified by Michele's overprotectiveness—reaching a point of no return.
A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.
On the French island of Mont Saint-Michel, Jack, a failed presidential candidate, Tom, a poet and Sonia, a physicist, engage in an intellectual conversation about politics, philosophy and life over the course of a single day.
Naples, early 1980s. The strained marriage between Aldo and Vanda is fractured one evening when Aldo admits, unprompted, his infidelity. Equally hurt and bewildered, Vanda attempts to hide her pain from the couple's two school-age kids, lest they discover that their cramped apartment is not a home of trust and love. 30 years later, Aldo and Vanda are still tied together, but their relationship with each other and their children continues to be defined by what happened all those years ago.