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Damage

Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.

Damage

6.0 2022
The Old Man Who Read Love Stories

In El Idilio, a village on the banks of a river in the Amazon rainforest, Antonio Bolívar, known to everyone as "The Old Man," lives a recluse. One day, Antonio begins reading the romance novels that the traveling dentist Rubicondo Loachamin brings him to pass the time. He shares this occupation with a beautiful local girl, a waitress and prostitute, named Josefina, with whom he ends up falling in love. But all does not go smoothly when Antonio is forced to go on a hunting trip.

The Old Man Who Read Love Stories

6.7 2001
Half Moon Arabic

Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he sets out for the long and troublesome journey in a derelict bus, denying a recurring vision of his own death at half moon. Halfway the party halts at a small village to pick up female singer Hesho, which will only add to the difficulty of the undertaking, as it is forbidden for Iranian women to sing in public, let alone in the company of men. But Mamo is determined to carry through, if not for the gullible antics of the bus driver.

Half Moon Arabic

6.4 2006
Do I Have to Kill My Child?

A disturbing drama about a young mother who physically abuses her baby. Feeling overwhelmed and aware that she's not coping after the birth of her third child, she sends desperate cries for help. But her mother, husband, neighbour and clinic sister do not recognise the seriousness of the situation until the baby ends up in hospital with a fractured skull. A heart-wrenching film that illustrates the experiences of many women who suffer from post-natal depression.

Do I Have to Kill My Child?

7.0 1976
We of the Never Never

Based on the well-loved Australian classic by Mrs. Aeneas Gunn, this is the remarkable true story of Jeannie Gunn, a woman who fought to overcome sexual and racial prejudice amid the harsh beauties of the outback. Leaving her Melbourne existence for a new life on her husband's isolated ranch, Jeannie's feisty, good-natured attitude soon wins over the misogynistic stockmen, but she faces a much tougher challenge in trying to change their racist attitudes towards the indigenous aboriginal population.

We of the Never Never

5.9 1982
Blue Fire Lady

Jenny Grey a horse loving country girl leaves her widowed father to move to the city after her father's frustrations towards Jenny and her desires to ride horses, after her mother had died from a horse-riding accident. Jenny finds work at a country race track and becomes obsessed with a troublesome horse called "Blue Fire Lady". "Blue Fire Lady" shows promise in Jenny's hands, but around everyone else misbehaves and shows no discipline. When "Blue Fire Lady" is put up for auction it is up to Jenny to either buy her or prove her.

Blue Fire Lady

6.8 1977