A King, a princess. Their encounter in a makeshift Opera tent in a village. Here in today's rural Bangladesh, the film brings up a colourful but understated drama of human and artistic dilemmas. While the princess is sought after on stage, on TikTok and in flesh by all the men – audiences watching the stage, the businessmen, the local politicians; behind the stage, the king waits and waits for his turn. He has to complete a story he began, long back.
Arabinda Majumdar
Nawab
Ashna Habib Bhabna
Princess Rosey
Satej Chowdhury
Mahmud Alam
A.K. Azad Shetu
Jannatul Baker Khan
Salauddin Sheikh
A King, a princess. Their encounter in a makeshift Opera tent in a village. Here in today's rural Bangladesh, the film brings up a colourful but understated drama of human and artistic dilemmas. While the princess is sought after on stage, on TikTok and in flesh by all the men – audiences watching the stage, the businessmen, the local politicians; behind the stage, the king waits and waits for his turn. He has to complete a story he began, long back.
The legendary Roberto Duran and his equally legendary trainer Ray Arcel change each other's lives.
An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.
Drama telling the story of Blue, a young man of Jamaican descent living in Brixton in 1980, as he hangs out with his friends, fronts a dub sound system, loses his job, struggles with family problems and has his friendships tested by racism.
After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.
Based on the true story of a black girl who was born to two white Afrikaner parents in South Africa during the apartheid era.
A pair of twin brothers from East L.A. choose to live their lives differently and end up on opposite sides of the law.
After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.
In revolutionary Iran, as fundamentalists tighten their grip on society, a professor secretly gathers seven of her most dedicated female students to read and discuss forbidden classics of Western literature, including Lolita and Pride and Prejudice. Based on the bestselling memoir by Azar Nafisi. A film by Eran Riklis starring Golshifteh Farahani (Paterson), Zar Amir (Holy Spider), and Mina Kavani (No Bears).