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John Gilpin

If you haven’t already been diverted by the history of John Gilpin, or would like to venture that way again, you couldn’t find a better accompaniment than the drawings of Ronald Searle. The BFI commissioned four films from Halas & Bactchelor to be screened in the “Telekinema” for the Festival of Britain. Pitched as an experiment in combining verse with illustrations, this fourth and last edition was the only one that contained a single work, with plenty of room to breath.

John Gilpin

NR 1951
Jitterbug Jive

Olive has invited the boys over, but finds Popeye old-fashioned compared to the zoot-suited Bluto. Popeye wants to dance a waltz, pull taffy, play pin-the-tail-on-the-donkey and croquet, and bob for apples, but Olive turns up her nose at all these as Bluto sabotages them. Finally, Bluto pours quick-drying cement in the apple water and drives off with Olive. Popeye, encased in cement, rolls downhill into a vegetable shop, right next to a bin of spinach. Good thing, because Bluto's getting fresh in a very old-fashioned way. A zoot-suited Popeye stops him, and gets the girl.

Jitterbug Jive

8.5 1950
Odds & Ends

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

Odds & Ends

7.3 1959
Pilgrim Popeye

Popeye's been feeding a turkey in his backyard; it's Thanksgiving day, and his (3) nephews are all set to turn the turkey into the main course. But Popeye can't bring himself to do the deed, so he tells them a story about the time he was a pilgrim and a turkey saved his life. Popeye is hunting the turkey, which keeps outsmarting him; he finally corners the bird, which gives him a sob story about being too scrawny to eat. Popeye gives him some spinach, but before the bird can eat it, Popeye is captured by Indians. They tie him to a stake. The turkey, watching, remembers the spinach, which turns the turkey into an eagle. He swoops down, carries off the first batch of Indians and throws them into a mountain; he turns another batch into a totem pole. Popeye finishes his story and sees the boys missing; dinner time! They prepare to serve the turkey his big plate of spinach.

Pilgrim Popeye

6.5 1951
Hansel and Gretel

In this retelling of the Brothers Grimm folk tale, Hansel and Gretel- here portrayed as two mice kids- get themselves lost in the woods ("Beware Witch Country," a sign warns). There, they see a house made of gingerbread, candies and cakes. They break off pieces of the house and begin to eat it. Then they meet the house's owner, an evil old witch who is riding a vacuum cleaner. She captures the two kids and prepares to cook them. The witch sends her bad cats after Mighty Mouse when he flies to the rescue. He takes care of them and then takes on the witch as she transforms into a giant buzzard! Mighty Mouse knocks the witch into her own evil cauldron, kicking her in the behind! The evil sorceress comes out shrunken to one-fourth her size, and our hero returns Hansel and Gretel to their parents. Mighty Mouse gives Hansel and Gretel's father a magic axe which cuts down all of his trees. The magic device helps to end the family's financial woes

Hansel and Gretel

10.0 1952