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9 young performers participate in a difficult selection process for a new musical by a gifted director with a dark past. They come from different backgrounds with differing motivations, but all have the same dream: to make it.
The Veneranda Fabbrica del Duomo, in collaboration with the Giuseppe Verdi Symphony Orchestra and Choir Foundation of Milan, presents Johann Sebastian Bach's St. John Passion (Johannespassion) BWV 245, performed by the LaBarocca Instrumental and Vocal Ensemble of Milan conducted by Ruben Jais.
Pietro Mascagni's opera recorded in 2009. Conductor Stefano Ranzani leads the orchestra and chorus of the Zurich Opera House, with performances by Argentinian tenor Jose Cura and soprano Pauletta Marrocu.
The monotonous life of a bourgeois family is disturbed by the announcement of the imminent return from America of Mr. Lohengrin, who had left Italy years earlier, leaving behind the reputation of being an irresistible womanizer. Lohengrin's cousin, worried about the stability of his marriage, convinces some relatives who live in the countryside to welcome the dreaded guest into their home and then, to avoid meeting him, leaves. Meanwhile, in the country house everyone eagerly awaits Lohengrin, and envy and spite are unleashed during the wait. In particular, while the young landlady prepares the house, the woman's husband begins to be tormented by jealousy. But the arrival of the long-awaited guest will be a huge disappointment for everyone: the once seductive man is now just an aged, with glasses and a prominent belly.
Verdi's opera performed by the Metropolitan Opera Orchestra and Chorus, conducted by James Levine.
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.
From the Giovanni Agnelli Auditorium in Turin: Ralph Vaughan Williams’ Symphony No. 5 in D major, performed by the RAI National Symphony Orchestra under the baton of Jeffrey Tate.
As a boy, the director was sure about it: his uncle Massimo and Lucio Dalla were the same person. In the film he explores that impossible similarity, complicated and remarkable, which helped him understand his uncle’s disability. As he observes his daily life, Lucio Dalla comes back, singing of loneliness, anger, and freedom.
The voice of one of his former classmates studying singing causes an irresistible itch for a wealthy industrialist. The cause is an old aversion that the industrialist has for the singer: he can only heal by overcoming this aversion and transforming himself into a benefactor of the hated ex-partner.
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. This version is conducted by Riccardo Muti at La Scala, Milan.
Soprano Anna Netrebko appears in her highly anticipated Met role debut as Leonora, the tortured heroine who sacrifices her own life for the love of the Gypsy troubadour. Dmitri Hvorostovsky sings Count di Luna, Yonghoon Lee is Manrico in his Met role debut as the title character, Dolora Zajick sings her signature role of the gypsy Azucena, and Štefan Kocán is Ferrando. Marco Armiliato conducts Sir David McVicar’s Goya-inspired production.
In an emotional journey we relive Penny and Sebastian's love story from their first meet,through friendship, music, problems and love, to the final and shocking revelation.
Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.
The famous composer's life and his career. His love story with Isabella Colbran, the soprano who was to become his wife and the singer in all his operas up to the unfortunate day she lost her voice.
Il Volo - Tutti per uno is an Italian television program of musical genre, a concert broadcast in prime time on Canale 5, created by the trio Il Volo. The second edition of Il Volo - Tutti per uno was broadcast on three evenings recorded from 9 to 13 May and broadcast from 14th to 28th of May 2024, and represents movie version of concerts held at the Verona Arena, marking the group's fifteenth anniversary. The evenings are characterized by the performance of the trio (including individual performances) and by the presence of guests who sometimes duet with the members of Il Volo. The third night of the second edition of the concerts was hosted by Il Volo and Eleonora Abbagnato. The guest for the third concert include: Eleonora Abbagnato, Max Pezzali, Nek, Riccardo Cocciante, BigMama, Rose Villain, Nina Zilli, Enrico Brignano
Giacomo Puccini's bittersweet opera of high-spirited bohemians and the doomed love between Rodolfo, the idealistic poet and Mimi, the consumptive flower-maker, is a beautifully balanced series of tableaux depicting the infectious joie de vivre of youth and the tragic waste of disease and separation. The legendary and incomparable partnership of Mirella Freni and Luciano Pavarotti as the two lovers has been captured in this special live recording from stage of the San Francisco Opera. Brian Large has adapted Francesca Zambello's production for video, further illuminating the fascinating interaction of Puccini's characters. Gino Quilico sings Marcello, the colorful and moody painter, whose tempestuous relationship with the flirtatious Musetta (sung by Sandra Pacetti), comically mirrors the more profound love of Rodolfo and Mimi. Nicolai Ghiaurov sings Colline.
Don Carlo (1980) Metropolitan Opera. Verdi / italian. King Philip's court is plagued by rebels, family squabbles and intrigue. The Spanish Inquisition tries to exert its influence. The tension finally ignites at the King's coronation, where heretics are to be burned at the stake
A documentary about the Italian provocateur industrial band Disciplinatha.
The ‘Pietrasanta in Concerto’ festival, conceived and directed by Michael Guttman, welcomes the world’s greatest musicians every summer. The concert features Andrea Griminelli alongside Roberto Prosseda, Vanessa Benelli Mosell, Michael Guttman and Jing Zhao, Pierre Génisson and soloists from the Brussels Chamber Orchestra
Laibach performing in Segrate, Italy.
Rare proshot
The Arena di Verona Festival honors Italian stage director Franco Zeffirelli, and his legendary production of Turandot. Interpreted within the sumptuous surroundings of Verona Arena, this Puccini's masterpiece tells the story of a princess whose beauty was only comparable to her cruelty. She will only marry a prince capable of solving her riddles, but if he fails, he will be beheaded... For this edition, the lyrical festival invites the russian soprano Maria Guleghina who proved a brilliant Turandot. She took to the stage with Salvatore Licitra's trump card is his imposingly radiant tenor voice of wich he remains in sovereign control, and the soprano Tamar Iveri is a beautiful and sensitive Liù.
Opera is an inherently theatrical medium that does not lend itself readily to the realism of film treatment. The shining exception is Puccini's Tosca, an action-packed melodrama that unfolds in three taut and gripping acts like the meatiest of Hollywood films noir. And unlike most operas, these three acts are set in three very specific Roman locales. Thus this 1976 film takes place in the church of Sant'Andrea della Valle (Act 1), the Palazzo Farnese (Act 2), and the Castel Sant'Angelo (Act 3).
The life of legendary opera composer Gioacchino Rossini is recounted in this documentary, which examines how the author of "The Barber of Seville" opted to give up composing for the life of a performer at the age of 37. Using historical context, the film follows Rossini's life from his early years up to the height of his career, and includes a variety of excerpts from both his popular and his lesser-known works.
A rock band called "The Trip" want to get to Montecarlo to take part in a festival. Due to a series of circumstances however they end up in the place they set about the journey from: Rome. There is a music festival on at The Terme of Caracalla and they sing there.
A striking interpretation of Mozart's opera that became a sensation at the 2008 Salzburg Festival. This is not only a rethinking of the place and time of the opera, but also a deep disclosure of the characters' characters, their ambiguous inner world. A simple, at first glance, plot is turned by the creators of the play into a dynamic psychological thriller.
Pulcinella finds himself in New York and not Naples: from stockbroker to semi-naked banker in the midst of Wall Street. Actualization of Igor Stravinsky's ballet composed as a tribute to Italian music.