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Stand Up and Cheer!

President Franklin Roosevelt appoints a theatrical producer as the new Secretary of Amusement in order to cheer up an American public still suffering through the Depression. The new secretary soon runs afoul of political lobbyists out to destroy his department.

Top Cast

  • Warner Baxter

    Warner Baxter

    Lawrence Cromwell

  • Madge Evans

    Madge Evans

    Mary Adams

  • James Dunn

    James Dunn

    Jimmy Dugan

  • Sylvia Froos

    Sylvia Froos

    Sylvia Froos

  • John Boles

    John Boles

    John Boles

  • Arthur Byron

    Arthur Byron

    John Harly

  • Shirley Temple

    Shirley Temple

    Shirley Dugan

  • Ralph Morgan

    Ralph Morgan

    Secretary to President

  • Jimmy Dallas

    Jimmy Dallas

    Boy Scout

Overview

President Franklin Roosevelt appoints a theatrical producer as the new Secretary of Amusement in order to cheer up an American public still suffering through the Depression. The new secretary soon runs afoul of political lobbyists out to destroy his department.

Rating

5.3 / 10
12 Reviews
0 Popular

1 Reviews

  • CinemaSerf
    CinemaSerf
    5 Jan 7, 2024

    This starts off quite promisingly, with a bumbling 'Dinwiddle" (Nigel Bruce) explaining to awaiting reporters just what his job as chief scout for Broadway impresario "Cromwell" (Warner Baxter) actually is. Then, right on cue, his boss arrives by gyro-copter on the White House lawn for a meeting at which the President offers him a $100m budget and one year as "Secretary of Amusement". His task? Cheer up the American populace after the misery of the 1920s. He quickly assembles his own cabinet - including "Mary" (Madge Evans) as his minister for children and sets about making us all smile. Sadly, Baxter and Evans - and their predictably evolving affection - feature but sparingly in what is essentially a compendium of just about every style entertainment act around at the time. An early outing for the smiling Shirley Temple is probably most notable, but even she struggles to breath much life into this almost documentary style film that could serve well as an history of what made Americans laugh in the early thirties. Some of the artistes work better than others, but a weak, occasionally politically driven, narrative and an off-form effort from what we do see of Baxter just doesn't really work. It watchable as a nostalgia exercise, but as little else I'm afraid.

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