The Auctioneers: Profiting from the Holocaust Backdrop Blur
The Auctioneers: Profiting from the Holocaust Poster

The Auctioneers: Profiting from the Holocaust

From 1938-1939, the systematic anti-Semitism of Adolph Hitler and the Nazis led to violence and despotism towards Jewish citizens, along with the exploitation of Jewish property. Tax inspectors, bailiffs, pawnbrokers, and auctioneers were among the major profiteers of the Holocaust. This documentary goes on a hunt for relics of the past and those who've profited most from the injustices of WWII.

Top Cast

  • Hans Henrik Wöhler

    Hans Henrik Wöhler

    Narrator (voice)

Overview

From 1938-1939, the systematic anti-Semitism of Adolph Hitler and the Nazis led to violence and despotism towards Jewish citizens, along with the exploitation of Jewish property. Tax inspectors, bailiffs, pawnbrokers, and auctioneers were among the major profiteers of the Holocaust. This documentary goes on a hunt for relics of the past and those who've profited most from the injustices of WWII.

Rating

NR / 10
0 Reviews
0 Popular

Recommendations

Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014
Visions of Light

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Visions of Light

7.0 1992