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In Place of Monuments

With somatic knowledge, Naima Ramos-Chapman sculpts a kinetic monument on the same rooftop in the name of healing and freedom-- where they were arrested at gunpoint as a teen in 2005. Filmed during the pandemic and in the midst of the BLM movement, they intend to liberate their own body through the process of rupturing memory with collective recall and dreaming in response to the state violence and the only virus that has truly plagued their family for generations: white supremacy. May this be a balm.

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Overview

With somatic knowledge, Naima Ramos-Chapman sculpts a kinetic monument on the same rooftop in the name of healing and freedom-- where they were arrested at gunpoint as a teen in 2005. Filmed during the pandemic and in the midst of the BLM movement, they intend to liberate their own body through the process of rupturing memory with collective recall and dreaming in response to the state violence and the only virus that has truly plagued their family for generations: white supremacy. May this be a balm.

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Recommendations

1

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

1

6.7 2020
Fire!

Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet.

Fire!

5.8 1901