Hitomi is an 18-year-old female university student living in Oji, Tokyo. Mari is an 18-year-old shop assistant born and living in Yokohama. Mieko is a 23-year-old office worker in Ginza who lives in Asakusa, Tokyo. The film follows their relationships with their boyfriends.
Mieko Tachibana
Hitomi Shimizu
Mari Hoshino
Hitomi is an 18-year-old female university student living in Oji, Tokyo. Mari is an 18-year-old shop assistant born and living in Yokohama. Mieko is a 23-year-old office worker in Ginza who lives in Asakusa, Tokyo. The film follows their relationships with their boyfriends.
Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
Rei is a college student in the midst of finding a job. She confesses her love to Mikio, a senior whom she admires. Mikio soon demands that she perform perverted acts.
Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.
Aldin, a vagabond water vendor, embarks of a series of fantastical and tragic misadventures through the Middle East in search of love, fortune, and power.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Raku Ichijo (Kento Nakajima) is an only son and a high school student. His father is the leader of yakuza group Shuei-gumi. Raku Ichijo doesn't like to fight and he studies hard. His dream is to become a public official. One day, he passes the entrance gate at his high school and is kicked inadvertently by Chitoge Kirisaki (Ayami Nakajo). She is a new transfer student at the school. Chitoge Kirisaki is the only daughter of a rival gang leader. To keep the peace between the rival gangs led by their fathers, Raku Ichijo and Chitoge Kirisaki decide to act as boyfriend and girlfriend. --asianwiki
Six-year-old Ataru steps on Elle's shadow during an impromptu game of shadow-tag; in Elle's culture, this is viewed as a marriage proposal. Eleven years later, Elle returns to Earth in order to marry Ataru — by which time not only had he forgotten the events of his childhood, but he was also going out with Lum. The rest of the plot focuses on Lum's attempts to prevent the marriage.
A 21-year-old girl is released from prison, only to deal with the neighborhood gossip about her and family conflicts. She decides to save one million yen, move to where no one knows her and keep repeating the process.
After a messy breakup with her high school boyfriend, April strikes up an unexpected platonic friendship with his new girlfriend, Clara.