Abnormal Exposure: Wanting to Display
Tarô Araki's directorial debut; he starred alongside Kyôko Godai, occasional scriptwriter for Hisayasu Satô also appearing.
Tarô Araki's directorial debut; he starred alongside Kyôko Godai, occasional scriptwriter for Hisayasu Satô also appearing.
Tarō Araki
Syoko Kudo
Yumika Hayashi
Kyoko Godai
Kyôsuke Sasaki
Tarô Araki's directorial debut; he starred alongside Kyôko Godai, occasional scriptwriter for Hisayasu Satô also appearing.
Because of her past, 17-year-old Rio lives her days filling the emptiness in her heart with money—until one day, she meets a university professor named Kouki and falls in love.
Following Natsuki Enomoto's confession rehearsals with Yuu Setoguchi, their younger siblings Kotarou and Hina struggle to confess their own love. Despite a disastrous first meeting in middle school with her upperclassman Koyuki Ayase, Hina’s heart is captured by his warm smile. Initially confused by these newfound feelings, Hina soon realizes that she has fallen in love for the very first time. Chasing after her brother Yuu and her crush Koyuki, Hina also enrolls in Sakuragaoka High School; but the threads of love are far-reaching, and they entangle Hina and her friends. Boisterous but sensitive, Hina hopes to confess her feelings to the tender-hearted Koyuki. Meanwhile, Kotarou, oblivious to his own feelings for her, is determined to always keep Hina smiling. This movie follows Hina, Kotarou, and Koyuki in high school. Their youthful love forges new relationships, but also threatens to break others.
Plagued by a seemingly endless stream of haunting dreams, Tomoya drifts through life with an almost overwhelming sense of anger and emptiness. Then, one fateful day, he meets the mysterious and beautiful Nagisa, and his world begins to change. While helping Nagisa revive the defunct Drama Club at their high school, Tomoya discovers that she has the same dreams. Their story starts beneath the cherry blossoms, but where will fate lead them?
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
The story of Ray-Ray McElrathbey, a freshman football player for Clemson University, who secretly raised his younger brother on campus after his home life became too unsteady.
On the day Touma Kamijou and Index see Academy City's space elevator, Endymion in the distance, they meet a Level 0 girl with an amazing singing voice, Arisa Meigo. As the three enjoy their time together after school, magic-user Stiyl Magnus suddenly attacks them. His target: Arisa. Why would a girl from the science side be targeted by someone from the magic side, Touma wonders. In the chaos of Stiyl's attack, he tells Touma, Index and Arisa that she might cause a war between the magic side and the science side.
A struggling construction worker and an aspiring musician find themselves falling in love.
A side story of the original Kara no Kyōkai - the Garden of sinners movie series divided into 2 parts. In the first part, Shizune Seo, who finds her life too predictable due to her precognition, and Mitsuru Kamekura, who uses his precognition to be a professional bomber, meet Mikiya and Shiki, respectively, and their futures begin to change. In the second part, 10 years after the original series, Shiki and Mikiya's daughter, Mana Ryōgi, spends a day with Mitsuru.
A director faces creative block while working on his latest film – a reimagination of his adolescence growing up in a mountain village in rural Japan.
A Japanese police unit who use giant anthropomorphic robots (called Labors) is caught up in a political struggle between the civilian authorities and the military when a terrorist act is blamed on an Air Force jet. With the aid of a government agent, the team gets close to a terrorist leader to stop things from going out of control when after the military is impelled to impose martial law.