"In this town, it can all change… Like that."
Los Angeles, 1969. TV star Rick Dalton, a struggling actor specializing in westerns, and stuntman Cliff Booth, his best friend, try to survive in a constantly changing movie industry. Dalton is the neighbor of the young and promising actress and model Sharon Tate, who has just married the prestigious Polish director Roman Polanski…
Leonardo DiCaprio
Rick Dalton
Brad Pitt
Cliff Booth
Margot Robbie
Sharon Tate
Emile Hirsch
Jay Sebring
Margaret Qualley
'Pussycat'
Timothy Olyphant
Jim Stacy
Julia Butters
Trudi Fraser
Austin Butler
'Tex'
Dakota Fanning
'Squeaky'
Los Angeles, 1969. TV star Rick Dalton, a struggling actor specializing in westerns, and stuntman Cliff Booth, his best friend, try to survive in a constantly changing movie industry. Dalton is the neighbor of the young and promising actress and model Sharon Tate, who has just married the prestigious Polish director Roman Polanski…
OK, I'm giving it 10 stars, not because it's a great film and not because it's one of QT's best films... but because compared to everything else out there today it is a Masterpiece. However, unfortunately, anyone that has seen all of QT's films, the ending is spoiled from the start purely on the basis that we understand how he treats history. And, unfortunately, for SOME people it is a very slow burner, but one with absolutely fantastic acting and directing. It's a slow burner that is a brilliant period piece, and it is a slow burner that is almost a love letter to classic Hollywood, so though it takes nearly forever for any real pay off, its a fine film to actually watch and one that maintains a quality of entertainment and leaves little clues peppered throughout of the coming payoff. And the clues are important as they are, essentially, little promises that the film is making for the finale. The finally, however is so ultra-violent, so over-the-top that it's absolutely hysterical. It's not his best film, but its certainly loyal to his others, gone however is the quick witted and quotable dialogue that marked his earlier films, but it is traded off for a sleek professionalism of a seasoned director.
“Is everybody okay?” “Well... the fuckin' hippies aren't. That's for goddamn sure.” I have watched this film in the cinema when it first came out in 2019, but didn’t think it was that great. After my second watch, 4 years and a good 550 other movies later, I liked it much better. Once Upon a Time… in Hollywood is essentially a love letter to cinema, a fairytale filled with jokes and references and a deep supporting cast. The film spends most of the time hanging out with its characters; there are plenty of scenes were we can enjoy DiCaprio giving a hell of a performance, or Pitt being effortlessly cool. The fairytale ends in a hilarious climax—an unexpected twist in appropriate Tarantino style—and they lived happily ever after. 9,0/10
This felt disjointed and scattershot for most of the film's runtime, but I enjoyed the way the storytelling hopped around. There was something building and embarrassingly, I caught on awfully late. The three main actors were great. Margot Robbie is just beautiful and likeable. Brad Pitt is cool, tough and caring. DiCaprio's portrayal of the fictional Rick Dalton is the MVP, though. He's such a multi-dimensional character and it would be fun to see more of his Dalton's behind-the scenes antics. The revisionist history tale is fine, but it's always about the dialog with Tarantino. It was fun to just follow these characters around.
In theory, this ought to have been excellent. Di Caprio and Pitt together with Tarantino and a sprinkling of Sharon Tate (Margot Robbie). Well, eventually - after maybe 2 hours, or so, we get something akin to what I was expecting. The long, ponderous road to this conclusion has been described by some as a sort of "love story". Hmmm, I think they are being kind. There is a bond between the two gents but it isn't really worthy of comment. I don't see how it significantly differs from the bond any partnership might form after many years of working together. Boo hoo, "Dalton" (Di Caprio) is a bit of an alcoholic who has become typecast and doesn't get the parts he used to. Well how many other actors have ended up in the same boat? "Booth" Pitt's character has very little to get his teeth into; except perhaps at the end and if you do expect anything substantial from Sharon Tate, then think again. Sorry, but this is a seriously long and over-rated swipe at too many late 60's Hollywood stereotypes for me.
This film didn't quite hit the mark for me. It felt excessively long, dragging on without captivating my interest, ultimately leaving me feeling bored and disconnected. While many may have found it fantastic, I struggled to connect with the storyline and found it to be disjointed and lacking coherence. While the film received praise from critics and fans alike, my personal preference leans towards action-packed movies that keep me engaged and entertained. I value excitement and thrill in a film, seeking an immersive experience that keeps me on the edge of my seat, rather than one that relies heavily on drawn-out dialogue that fails to hold my attention.
Once Upon a Time... In Hollywood is a signature Tarantino film, packed with big names, stylish direction, and a deep love for old-school Hollywood. The plot? Well, it’s more of a wandering journey than a structured story. Things happen, characters interact, but there isn’t much tying it all together in a traditional sense. That’s expected from Tarantino, he’s more about moments than narratives. The slow-paced intro sets the tone, but it doesn’t really pick up in a way that makes you feel a sense of urgency. The directing is classic Tarantino, with his trademark long conversations, sudden bursts of energy, and, of course, his obsession with feet. The cinematography nails the late '60s aesthetic, from the lighting to the vintage sets, making Hollywood feel alive in every frame. Camera work is bold, sometimes chaotic, but never dull. Acting-wise, DiCaprio and Pitt carry the film effortlessly, delivering performances that feel natural and engaging. The sheer number of recognizable faces adds to the spectacle, making every scene feel like a who’s who of Hollywood. The script has its moments, sharp dialogue and some solid character work, but the comedy often feels forced rather than organic. The soundtrack, however, is one of the film’s strongest elements, blending iconic tracks that perfectly fit the era and mood. Overall, it’s an experience more than a story, and while the pacing drags at times, the world it builds is captivating enough to keep you watching. I wouldn’t call it a masterpiece, but it’s an enjoyable ride if you’re in the mood for something that values atmosphere and performances over a tightly woven plot.
The story of Rudy Ray Moore, who created the iconic big screen pimp character Dolemite in the 1970s.
Movie star Vincent Chase, together with his boys, Eric, Turtle and Johnny, are back…and back in business with super agent-turned-studio head Ari Gold. Some of their ambitions have changed, but the bond between them remains strong as they navigate the capricious and often cutthroat world of Hollywood.
A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.
In 1977, an idealistic porn producer and his promising protege try to catch up with the end of an era before their never-ending party collides with cold, hard reality.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Ready for a night of legendary partying, three college students must weigh the pros and cons of calling the police when faced with an unexpected situation.
Dexter and Royce, two stoners in the small town of Weedsville, attempt to cover up the overdose of Royce's girlfriend Matilda. What leads from an old drive-in being perfect place to ditch her turns into the accidental discovery of a Satanic cult, who brings Mattie back from the dead after their ritual is botched. Along with the two's dealer Omar on their tail, how will these buddies and their slightly-off lady-on-board deal with the dangers of drug debt and demon-worshipping magic?
Spenser, a former Boston patrolman who just got out from prison, teams up with Hawk, an aspiring fighter, to unravel the truth behind the death of two police officers.
After narrowly surviving a massive heart attack, Randal enlists his old friend Dante to help him make a movie immortalizing their youthful days at the little convenience store that started it all.