WAP stands for White Australia Policy, a racist policy which limited migration into Australia into the nineteen fifties. This policy can be read as a marker of the guilt surrounding the Aboriginal genocide that had blotted white settlement of Australia since its inception. This film re-frames historic material to allow the voices of the deferred and dispossessed to speak their trauma, speaking often through the bodies and voices of the oppressor to reveal the unspoken truth.
WAP stands for White Australia Policy, a racist policy which limited migration into Australia into the nineteen fifties. This policy can be read as a marker of the guilt surrounding the Aboriginal genocide that had blotted white settlement of Australia since its inception. This film re-frames historic material to allow the voices of the deferred and dispossessed to speak their trauma, speaking often through the bodies and voices of the oppressor to reveal the unspoken truth.
American Matt Quigley answers Australian land baron Elliott Marston's ad for a sharpshooter to kill the dingoes on his property. But when Quigley finds out that Marston's real target is the aborigines, Quigley hits the road. Now, even American expatriate Crazy Cora can't keep Quigley safe in his cat-and-mouse game with the homicidal Marston.
A man trying to get home to his dog becomes stuck in a time loop that forces him to relive a deadly run-in with a cop.
A pair of teenagers in Western Australia looking to escape the monotony of life in a small town take up surfing lessons from a guy named Sando.
Meeting by chance when they return to their tiny California hometown, two former high-school sweethearts reflect on their shared past.
Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.
Set against the badlands of Australia where the English rule with a bloody fist and the Irish endure, Ned Kelly discovers he comes from a line of Irish rebels — an uncompromising army of cross dressing bandits immortalised for terrorising their oppressors back in Ireland. Fuelled by the unfair arrest of his mother, Kelly recruits a wild bunch of warriors to plot one of the most audacious attacks of anarchy and rebellion the country has ever seen.
When a D.E.A. and S.W.A.T. cartel takedown ends in a shootout, S.W.A.T. Agent Travis Hall seizes a mysterious prisoner taking him into custody. Before long, the S.W.A.T. compound is under siege by wave-after-wave of assault teams attempting to recover the prisoner known as “The Scorpion” for the tattoo blazed across his back. When Travis discovers that his prisoner is a Secret Ops double agent planted within the cartel, it’s up to him and his expert S.W.A.T. team to keep “The Scorpion” and his billion dollar secrets safe.
Mikey just needs a good stable home. He's bounced from foster home to foster home his whole life. He finally lands himself with a new loving family, but their perfect little child is not what he appears to be. His previous caretakers all died of mysterious "accidents" that weren't really accidents at all. Mikey is a cold blooded killer, and it doesn't take long for him to aim his sights on his new adoptive family and anyone else who stands in his way.
A hardened mercenary in the Foreign Legion begins to find his own humanity when confronted with atrocities during the fighting in Bosnia.
Army despatch rider Hondo Lane discovers a woman and her son living in the midst of warring Apaches, and he becomes their protector.