WORKING FROM HOME IS GREAT
A contract killer decides to work from home – what could possibly go wrong?
A contract killer decides to work from home – what could possibly go wrong?
A contract killer decides to work from home – what could possibly go wrong?
After losing his job and realizing that he is alone in the world, a businessman opts to voluntarily end his life. Lacking courage, he hires a contract killer to do the job. Then, while awaiting his demise, he meets a woman and promptly falls in love.
Claude is a ruthless and efficient contract killer. His next target, a woman, is the most difficult.
A business man buys a house, but he has a hard time trying to get rid of its previous tenant, a dirty bum.
When a group of radical activists take over an energy company's annual gala, seizing 300 hostages, an ex-soldier turned window cleaner suspended 50 storeys up on the outside of the building must save those trapped inside, including her older brother.
When an elite assassin marries a beautiful computer whiz after a whirlwind romance, he gives up the gun and settles down with his new bride. That is, until he learns that someone from his past has put a contract out on his life.
After fleeing the UK from a job gone wrong, a down on his luck hitman is forced to babysit the son of his new crime boss and show him how to become a man.
A couple works hard to renovate their dream house and become landlords to pay for it. Unfortunately one of their tenants has plans of his own.
When a man is diagnosed with terminal cancer, he takes custody of his misanthropic teenage son, for whom quality time means getting high, engaging in small-time prostitution, and avoiding his father.
Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.
When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.