Cho Edogakeishi
Chika Kuboyama, Yoshio Hosokawa, and director Kôji Shiraishi gather for director Shûsuke Kaneko's son, Suzuyuki's birthday. As per usual, the cameras are rolling when suddenly Kaneko makes an outrageous remark.
Chika Kuboyama, Yoshio Hosokawa, and director Kôji Shiraishi gather for director Shûsuke Kaneko's son, Suzuyuki's birthday. As per usual, the cameras are rolling when suddenly Kaneko makes an outrageous remark.
Chika Kuboyama
Self
Yoshio Hosokawa
Self
Koji Shiraishi
Self
Suzuyuki Kaneko
Self
Shusuke Kaneko
Self
Chika Kuboyama, Yoshio Hosokawa, and director Kôji Shiraishi gather for director Shûsuke Kaneko's son, Suzuyuki's birthday. As per usual, the cameras are rolling when suddenly Kaneko makes an outrageous remark.
Operating out of the movie capital "Nyallywood," Pompo has been shooting one B-grade entertainment flick after another that anyone would enjoy. One day, Pompo's "movie buff" assistant Gene spots a new script written by Pompo and is moved by its exquisite story. In a fit of passion, he proclaims, "I want to see this as a finished work in theaters as soon as possible!" However, Pompo tells him, "So you shoot this film." Thus, Gene takes on his first directing gig. Meanwhile, Natalie, an ordinary girl who just arrived in town with movie actress dreams, has been discovered by Pompo...
The Yamadas are a typical middle class Japanese family in urban Tokyo and this film shows us a variety of episodes of their lives. With tales that range from the humorous to the heartbreaking, we see this family cope with life's little conflicts, problems, and joys in their own way.
Takao, who is training to become a shoemaker, skipped school and is sketching shoes in a Japanese-style garden. He meets a mysterious woman, Yukino, who is older than him. Then, without arranging the times, the two start to see each other again and again, but only on rainy days. They deepen their relationship and open up to each other. But the end of the rainy season soon approaches.
On Christmas Eve, three homeless people living on the streets of Tokyo discover a newborn baby among the trash and set out to find its parents.
The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
Abandoned in the barren wasteland of Kyoto, a savage, enraged orphan does whatever it takes to survive in the wild. When he crosses paths with civilization, he must learn to tame the beast within.
Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.
A disillusioned filmmaker has an encounter with a young woman who has a ritual of repeating "Tomorrow is my birthday" everyday. He tries to communicate with her through his video camera.
Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.
Love is a business at Family Romance, a company that rents human stand-ins for any occasion. Founder Yuichi Ishii helps make his clients’ dreams come true. But when the mother of 12-year-old Mahiro hires Ishii to impersonate her missing father, the line between acting and reality threatens to blur.