An independent filmmaker wants to make a movie… Why is it so difficult? What stands in the way? Who is stopping him? And: how many movies can there be in a single one? Complex and fragmented, this is Eduardo Quispe’s sixth film, which, according to the director, brings a cycle in his filmography to a close.
Ana Balcázar
Melina Paredes
Jim Marcelo
Eduardo Quispe
Grecia Aguinaga
An independent filmmaker wants to make a movie… Why is it so difficult? What stands in the way? Who is stopping him? And: how many movies can there be in a single one? Complex and fragmented, this is Eduardo Quispe’s sixth film, which, according to the director, brings a cycle in his filmography to a close.
Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.
Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.
While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.
A former special forces contractor is forced out of retirement as an avocado farmer in Mexico when local gangsters try to force him and his family off their farm.
When Polly receives a mysterious box, it comes with one rule: place inside something she needs, something she hates, and something she loves. If she doesn’t obey, it will consume everything—and everyone—she’s ever known.
In 1974, Chilean-French director Alejandro Jodorowsky embarked on the quixotic project of adapting Frank Herbert's influential novel Dune (1969) for the big screen. After investing two years, and millions of dollars, the gigantic project ended in failure; but the artists Jodorowsky brought together to carry it out continued to work together, and ended up laying the foundations for modern science fiction cinema.
It’s Friday night in Asunción and the temperature is 40ºC. Víctor, a 17-year-old wheelbarrow-boy, dreams of becoming famous and covets a cell phone in Mercado 4. He is offered the chance to deliver seven boxes with unknown contents in exchange for $100. This sounds like an easy job but it soon gets complicated. Something in the boxes is highly coveted. Víctor and his persecutors find themselves caught up in a crime they know nothing about.
The film contains five stories set on desolate stretches of a desert highway. Two men on the run from their past, a band on its way to a gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation are forced to confront their worst fears and darkest secrets in these interwoven tales.
Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.
A commentary on Spanish society dressed as a thriller about the misadventures of a gang of young petty criminals after the real estate crash.